Richard Wagner, Berliner Philharmoniker, Claudio Abbado made "Die Walküre / Dritter Aufzug: Der Walküren-Ritt - Hojotoho!" available on January 1, 1994. With this song being about 5 minutes long, at 4:58, "Die Walküre / Dritter Aufzug: Der Walküren-Ritt - Hojotoho!" by Richard Wagner, Berliner Philharmoniker, Claudio Abbado is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 8 in Dich, teure Halle, grüß ich wieder - Ein Gala-Konzert by Richard Wagner, Berliner Philharmoniker, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Die Walküre / Dritter Aufzug: Der Walküren-Ritt - Hojotoho!'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Die Walküre / Dritter Aufzug: Der Walküren-Ritt - Hojotoho! by Richard Wagner, Berliner Philharmoniker, Claudio Abbado is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hungarian Dance No.6 In D Flat | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | D Major | 2 | 10B | 153 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante | Johannes Brahms, David Zinman | C Major | 0 | 8B | 73 BPM | ||
Pictures At An Exhibition: The Old Castle | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 136 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche Lust | Ludwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | B♭ Major | 0 | 6B | 100 BPM | ||
The Hebrides, Op. 26 "Fingal's Cave" | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | D Major | 1 | 10B | 137 BPM | ||
Anna Bolena: Sinfonia (Overture) | Gaetano Donizetti, Welsh National Opera Orchestra, Richard Bonynge | E Major | 3 | 12B | 146 BPM | ||
Idomeneo: Atto II, sc.2. No.11 Aria Ilia "Se il padre perdei" | Wolfgang Amadeus Mozart, Freiburger Barockorchester, René Jacobs, Sunhae Im | F Major | 0 | 7B | 88 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Capriccio Espagnol, Op. 34: 2. Variazioni | Nikolai Rimsky-Korsakov, Gothenburg Symphony Orchestra, Neeme Järvi | F Major | 0 | 7B | 80 BPM |
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