Elgar: Serenade for Strings, Op. 20: II. Larghetto - Edward Elgar, London Philharmonic Orchestra, Peter Manning, Vernon Handley Information

Acousticness: 95%
Danceability: 6%
Energy: 1%
Instrumentalness: 75%
Liveness: 7%
Loudness: 44%
Speechiness: 4%
Valence: 5%
Popularity: 2%
Loudness: -33.833 dB

Summary

"Elgar: Serenade for Strings, Op. 20: II. Larghetto" by Edward Elgar, London Philharmonic Orchestra, Peter Manning, Vernon Handley was released on September 3, 2001. With this song being about 5 minutes long, at 5:10, "Elgar: Serenade for Strings, Op. 20: II. Larghetto" by Edward Elgar, London Philharmonic Orchestra, Peter Manning, Vernon Handley is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 21 in Elgar Enigma Variations, Vaughan Williams The Lark Ascending by Edward Elgar, Vernon Handley. Elgar: Serenade for Strings, Op. 20: II. Larghetto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Elgar: Serenade for Strings, Op. 20: II. Larghetto BPM

The tempo marking of Elgar: Serenade for Strings, Op. 20: II. Larghetto by Edward Elgar, London Philharmonic Orchestra, Peter Manning, Vernon Handley is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Elgar: Serenade for Strings, Op. 20: II. Larghetto Key

C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Norfolk Rhapsody No. 1 in E Minor	Ralph Vaughan Williams, Bryden Thomson, London Philharmonic Orchestra	E Minor	1	9A	88 BPM
Violin Concerto in D Major, Op. 77: II. Adagio	Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra	F Major	1	7B	77 BPM
Dvořák: From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods	Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra	D♭ Major	1	3B	95 BPM
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua	Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel	F♯ Major	0	2B	69 BPM
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo	Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano	E Major	0	12B	81 BPM
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo	Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields	A Minor	2	8A	86 BPM
Capriccio espagnol, Op. 34: II. Variations	Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz	F Major	0	7B	92 BPM
Souvenir d'un lieu cher, Op. 42: 3. Mélodie	Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding	E♭ Major	0	5B	99 BPM
Scottish Fantasy for Violin and Orchestra, Op. 46: II. Scherzo: Allegro	Max Bruch, Joshua Bell, Academy of St. Martin in the Fields	G Major	2	9B	115 BPM
Dvorák: Violin Concerto in A Minor, Op. 53, B. 108: II. Adagio, ma non troppo	Antonín Dvořák, Itzhak Perlman, Daniel Barenboim, London Philharmonic Orchestra	F Major	2	7B	96 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7006576061248779

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