"Te Deum (1984/85; rev. 1992) for 3 Choruses, piano, strings and tape: Miserere nostri" by Arvo Pärt, Coro dell'Accademia Nazionale Di Santa Cecilia, Roberto Gabbiani, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung was released on March 24, 2023. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Arvo Pärt, John Tavener, Henryk Górecki's "Holy Minimalism - Tavener, Pärt & Górecki" album is number 16 out of 51. On top of that, Germany appears to be the country where this track was created. Te Deum (1984/85; rev. 1992) for 3 Choruses, piano, strings and tape: Miserere nostri is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Te Deum (1984/85; rev. 1992) for 3 Choruses, piano, strings and tape: Miserere nostri by Arvo Pärt, Coro dell'Accademia Nazionale Di Santa Cecilia, Roberto Gabbiani, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Deux mélodies hébraïques, M. A22: I. Kaddisch (Transcr. by Richard Tognetti for Cello and Orchestra ) | Maurice Ravel, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | C Minor | 1 | 5A | 82 BPM | ||
The Protecting Veil: The Dormition of the Mother of God | John Tavener, Maria Kliegel, Ulster Orchestra, Takuo Yuasa | G Major | 0 | 9B | 84 BPM | ||
Preludes: La colombe (The Dove) | Olivier Messiaen, Håkon Austbø | F♯ Minor | 0 | 11A | 135 BPM | ||
O Virtus Sapientae (Arr. M. Beiser for Cello & Electronics) | Hildegard von Bingen, Maya Beiser | A Minor | 3 | 8A | 77 BPM | ||
Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
Nocturne in G Minor | Frédéric Chopin, Ólafur Arnalds, Alice Sara Ott | G Minor | 1 | 6A | 120 BPM | ||
Waltz No. 19 in A Minor, KK IVb (Version for Harp in A Flat Minor) | Frédéric Chopin, Magdalena Hoffmann | A♭ Minor | 1 | 1A | 127 BPM | ||
Spiegel im Spiegel, für Violoncello und Klavier | René Berman, Arvo Pärt, Michael Van Krücker | F Major | 0 | 7B | 80 BPM | ||
Summer 2 | Max Richter, Daniel Hope, Konzerthaus Kammerorchester Berlin, Andre de Ridder | G Minor | 2 | 6A | 90 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM |
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