"Preludes: La colombe (The Dove)" by Olivier Messiaen, Håkon Austbø was released on September 28, 1999. The duration of Preludes: La colombe (The Dove) is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Preludes: La colombe (The Dove)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Olivier Messiaen's "Messiaen: Preludes / 4 Rhythmic Studies / Canteyodjaya" album is number 1 out of 13. Based on our statistics, Preludes: La colombe (The Dove)'s popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Preludes: La colombe (The Dove) by Olivier Messiaen, Håkon Austbø to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Après un Rêve Op.7, No.1 | Gabriel Fauré, Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa | F Minor | 1 | 4A | 96 BPM | ||
3 Pieces in Old Style: No. 1. Aria | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | G Minor | 0 | 6A | 85 BPM | ||
String Quartet No. 12 in F Major, Op. 96 'The American': II. Lento | Antonín Dvořák, Škampa Quartet | D Minor | 0 | 7A | 87 BPM | ||
Six Little Piano Pieces, Op. 19: Leicht, zart | Arnold Schoenberg, Paul Jacobs | G Major | 0 | 9B | 76 BPM | ||
Turangalîla Symphonie: 5. Joie de sang des étoiles | Olivier Messiaen, Jean-Yves Thibaudet, Takashi Harada, Royal Concertgebouw Orchestra, Riccardo Chailly | D♭ Major | 7 | 3B | 128 BPM | ||
Sonata in A Minor, L 241 | Domenico Scarlatti, Vladimir Horowitz | E Minor | 0 | 9A | 79 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
Lyric Pieces, Op. 54: No. 4, Notturno | Edvard Grieg, Håkon Austbø | B Minor | 0 | 10A | 136 BPM | ||
Sonata and Interludes for Prepared Piano: Sonata V | John Cage, Joanna MacGregor | G Minor | 2 | 6A | 126 BPM | ||
Sonata in F Minor, L. 118 | Domenico Scarlatti, Vladimir Horowitz | D Major | 1 | 10B | 146 BPM |
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