"La Bohème / Act 1: Sì. Mi chiamano Mimì" by Giacomo Puccini, Nathalie Manfrino, Samuel Jean, Orchestre National Avignon-Provence was released on January 12, 2018. With this song being about 5 minutes long, at 5:08, "La Bohème / Act 1: Sì. Mi chiamano Mimì" by Giacomo Puccini, Nathalie Manfrino, Samuel Jean, Orchestre National Avignon-Provence is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Since Puccini: La Bohème, Act 1: Sì. Mi chiamano Mimì only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from France. Based on our statistics, La Bohème / Act 1: Sì. Mi chiamano Mimì's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Bohème / Act 1: Sì. Mi chiamano Mimì by Giacomo Puccini, Nathalie Manfrino, Samuel Jean, Orchestre National Avignon-Provence having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wagner: Tristan und Isolde, Act III: Liebestod. "Mild und leise wie er lächelt" (Isolde) | Richard Wagner, Jessye Norman, Klaus Tennstedt, London Philharmonic Orchestra | B Major | 2 | 1B | 82 BPM | ||
Cavalleria rusticana: "Fior di giaggiolo" | Pietro Mascagni, Carmen Gonzales, Luciano Pavarotti, Julia Varady, National Philharmonic Orchestra, Gianandrea Gavazzeni | B♭ Major | 1 | 6B | 176 BPM | ||
In questa tomba oscura, WoO.133 | Ludwig van Beethoven, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | D♭ Major | 1 | 3B | 88 BPM | ||
Madame Butterfly: "Addio fiorito asil" | Mario del Monaco | D♭ Major | 4 | 3B | 88 BPM | ||
La Sonnambula / Act 1: Prendi: l'anel ti dono | Vincenzo Bellini, Cecilia Bartoli, Juan Diego Flórez, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi | A♭ Major | 1 | 4B | 74 BPM | ||
Don Giovanni / Act 1: "Fin ch'han dal vino" | Wolfgang Amadeus Mozart, Tom Krause, Vienna Haydn Orchestra, István Kertész | F Major | 6 | 7B | 118 BPM | ||
Bellini: I puritani, Act 2 Scene 3: Aria, "Qui la voce sua soave … O rendetemi la speme" (Elvira) | Vincenzo Bellini, Angela Gheorghiu, Evelino Pidò, London Symphony Orchestra | E♭ Major | 0 | 5B | 136 BPM | ||
Faust, CG 4 / Act 3: "Salut! demeure chaste et pure" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | A♭ Major | 2 | 4B | 109 BPM | ||
Madama Butterfly (1986 - Remaster), Act II: Come una mosca prigioniera (Suzuki/Butterfly) | Giacomo Puccini, Renata Scotto, Anna Di Stasio, Orchestra Del Teatro Dell'Opera Di Roma, Sir John Barbirolli | B♭ Minor | 1 | 3A | 140 BPM | ||
Cinco Canciones Negras: 4. Canción de cuna para dormir a un negrito | Xavier Montsalvatge, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | D♭ Major | 0 | 3B | 178 BPM |
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