"Gnossiennes: 2. Avec étonnement" by Erik Satie, Jean-Joël Barbier was released on January 1, 2002. The duration of Gnossiennes: 2. Avec étonnement is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Gnossiennes: 2. Avec étonnement's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Erik Satie, Jean-Joël Barbier, Jean Wiener's "Intégrale De L'Oeuvre Pour Piano" album is number 13 out of 67. On top of that, France appears to be the country where this track was created. Based on our statistics, Gnossiennes: 2. Avec étonnement's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Gnossiennes: 2. Avec étonnement by Erik Satie, Jean-Joël Barbier to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Arabeske in C Major, Op. 18 | Robert Schumann, Jenő Jandó | C Major | 0 | 8B | 73 BPM | ||
Piano Sonata In F Minor, P. 16: II. Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Major | 0 | 4B | 132 BPM | ||
Gymnopedie No. 1 | Takashi Yoshimatsu, Erik Satie, Pascal Rogé | G Major | 0 | 9B | 69 BPM | ||
Années de pèlerinage I, S. 160: II. Au lac de Wallenstadt | Franz Liszt, Lazar Berman | C Minor | 4 | 5A | 110 BPM | ||
Inca Nocturne No. 5 - Duo-Art 6191 | Carlos Valderrama, Peter Phillips | E Major | 1 | 12B | 85 BPM | ||
Pictures at an Exhibition: Promenade 1 | Modest Mussorgsky, Steven Osborne | A Major | 0 | 11B | 73 BPM | ||
Prélude de la porte héroïque du ciel | Erik Satie, Reinbert de Leeuw | C Major | 0 | 8B | 81 BPM | ||
Le Carnaval des Animaux, R. 125: Gjøken I Skogen | Camille Saint-Saëns, Pittsburgh Symphony Orchestra, André Previn | C Major | 3 | 8B | 99 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
6 Moments musicaux, Op.16: No. 5 in D flat, Adagio sostenuto | Sergei Rachmaninoff, Vladimir Ashkenazy | D♭ Major | 0 | 3B | 63 BPM |
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