Franz Liszt, Lazar Berman made "Années de pèlerinage I, S. 160: II. Au lac de Wallenstadt" available on January 1, 1977. The duration of Années de pèlerinage I, S. 160: II. Au lac de Wallenstadt is about 3 minutes long, at 3:06. Based on our data, "Années de pèlerinage I, S. 160: II. Au lac de Wallenstadt" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Franz Liszt, Lazar Berman's "Liszt: Années de Pèlerinage" album is number 2 out of 26. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Années de pèlerinage I, S. 160: II. Au lac de Wallenstadt is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Années de pèlerinage I, S. 160: II. Au lac de Wallenstadt by Franz Liszt, Lazar Berman to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasiestucke, Op. 12: Des Abends | Benjamin Frith, Robert Schumann | D♭ Major | 0 | 3B | 123 BPM | ||
Nocturnes, Op. 9: No. 3 in B Major. Allegretto | Frédéric Chopin, Jan Lisiecki | F♯ Major | 0 | 2B | 64 BPM | ||
Pièces froides: II. Airs à faire fuir, Modestement | Erik Satie, Bruno Fontaine | G Major | 0 | 9B | 73 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 6, Andante ma non troppo | Bedřich Smetana, Jitka Čechová | E♭ Major | 0 | 5B | 74 BPM | ||
Ich ruf zu dir, Herr Jesu Christ, No. 5, BWV 639 | Johann Sebastian Bach, Murray Perahia | G Minor | 3 | 6A | 122 BPM | ||
Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": III. Molto allegro | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Major | 0 | 9B | 130 BPM | ||
Menuet in G Minor (trans. W. Kempff) | Wilhelm Kempff, George Frideric Handel, Idil Biret | G Minor | 0 | 6A | 73 BPM | ||
Liebesbotschaft, S. 560/10 from Schwanengesang | Franz Liszt, Arcadi Volodos | G Major | 0 | 9B | 62 BPM | ||
Toccata & Fugue in D Minor, BWV 565 (Transc. I. Friedman): Fugue | Ignaz Friedman, Johann Sebastian Bach, Roberto Cominati | D Minor | 2 | 7A | 98 BPM | ||
Keyboard Sonatina In F Major, Op. 36, No. 4: II. Andante Con Espressione | Muzio Clementi, Balazs Szokolay | B♭ Major | 1 | 6B | 132 BPM |
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