"Rossini: Il turco in Italia, Act 1: "Vada via, si guardi bene di cercar l'amante mio" (Zaida, Fiorilla, Selim, Narciso, Geronio, Albazar, Prosdocimo)" by Gioachino Rossini, Maria Callas, Franco Calabrese, Jolanda Gardino, Mariano Stabile, Nicola Rossi-Lemeni, Nicolai Gedda, Piero de Palma, Gianandrea Gavazzeni, Orchestra Del Teatro Alla Scala, Milano was released on 1955. With this song being about 5 minutes long, at 4:48, "Rossini: Il turco in Italia, Act 1: "Vada via, si guardi bene di cercar l'amante mio" (Zaida, Fiorilla, Selim, Narciso, Geronio, Albazar, Prosdocimo)" by Gioachino Rossini, Maria Callas, Franco Calabrese, Jolanda Gardino, Mariano Stabile, Nicola Rossi-Lemeni, Nicolai Gedda, Piero de Palma, Gianandrea Gavazzeni, Orchestra Del Teatro Alla Scala, Milano is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 44 in the song's album "Rossini: Il turco in Italia (1954 - Gavazzeni) - Callas Remastered". In this album, this song's track order is #28. Furthermore, we believe that the track originated from United Kingdom. Rossini: Il turco in Italia, Act 1: "Vada via, si guardi bene di cercar l'amante mio" (Zaida, Fiorilla, Selim, Narciso, Geronio, Albazar, Prosdocimo) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Rossini: Il turco in Italia, Act 1: "Vada via, si guardi bene di cercar l'amante mio" (Zaida, Fiorilla, Selim, Narciso, Geronio, Albazar, Prosdocimo) by Gioachino Rossini, Maria Callas, Franco Calabrese, Jolanda Gardino, Mariano Stabile, Nicola Rossi-Lemeni, Nicolai Gedda, Piero de Palma, Gianandrea Gavazzeni, Orchestra Del Teatro Alla Scala, Milano having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rossini: Il turco in Italia, Act 1: "Vada via, si guardi bene di cercar l'amante mio" (Zaida, Fiorilla, Selim, Narciso, Geronio, Albazar, Prosdocimo) | Gioachino Rossini, Maria Callas, Franco Calabrese, Jolanda Gardino, Mariano Stabile, Nicola Rossi-Lemeni, Nicolai Gedda, Piero de Palma, Gianandrea Gavazzeni, Orchestra Del Teatro Alla Scala, Milano | D♭ Minor | 1 | 12A | 86 BPM | ||
La battaglia di Legnano: Preghiera, 'Deus meus, pone illos ut rotam' | Giuseppe Verdi, Marian Vach, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Oliver von Dohnanyi | E♭ Major | 2 | 5B | 170 BPM | ||
Ciro in Babilonia, Act I, Scene 1: Di Babilonia i Popoli (Coro) | Gioacchino Rossini, Orchestra Sinfonica di Sanremo, Coro Lirico Francesco Cilea, Carlo Rizzi, Massimo Sabbatini | D Major | 3 | 10B | 102 BPM | ||
La Cenerentola / Act 1: "O figlie amabili" | Gioachino Rossini, Fernanda Costa, Gloria Banditelli, Cecilia Bartoli, Michele Pertusi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | F Major | 2 | 7B | 86 BPM | ||
Nabucco / Act 2: Deh, fratelli, perdonate | Giuseppe Verdi, Anna D'Auria, Walter Krautler, Carlo Cava, Dora Carral, Bruno Prevedi, Giovanni Foiani, Tito Gobbi, Vienna State Opera Chorus, Vienna State Opera Orchestra, Lamberto Gardelli | E Major | 2 | 12B | 126 BPM | ||
La Cenerentola / Act 2: Ah, signor, s'è ver che in petto | Gioachino Rossini, Cecilia Bartoli, Alessandro Corbelli, William Matteuzzi, Fernanda Costa, Gloria Banditelli, Enzo Dara, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Major | 2 | 11B | 139 BPM | ||
Gounod: Faust, CG 4, Act 1 Scene 1: No. 2, Scène et Choeur, (b) "Ah! Paresseuse fille qui sommeille encor!" (Choeur, Faust) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
Les Contes d'Hoffmann / Act 2: Voyez - la sous son éventail | Jacques Offenbach, Magdalena Kozená, Jean-Christophe Keck, Mahler Chamber Orchestra, Marc Minkowski | D Major | 1 | 10B | 76 BPM | ||
Cavalleria rusticana: "Fior di giaggiolo" | Pietro Mascagni, Carmen Gonzales, Luciano Pavarotti, Julia Varady, National Philharmonic Orchestra, Gianandrea Gavazzeni | B♭ Major | 1 | 6B | 176 BPM | ||
L'elisir d'amore / Act 2: "Io già m'immagino" - "Come sen va contento!" | Gaetano Donizetti, Luciano Pavarotti, Dame Joan Sutherland, Spiro Malas, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | F Major | 3 | 7B | 138 BPM |
Section: 0.7318277359008789
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