"Nabucco / Act 2: Deh, fratelli, perdonate" by Giuseppe Verdi, Anna D'Auria, Walter Krautler, Carlo Cava, Dora Carral, Bruno Prevedi, Giovanni Foiani, Tito Gobbi, Vienna State Opera Chorus, Vienna State Opera Orchestra, Lamberto Gardelli was released on January 1, 1965. The duration of Nabucco / Act 2: Deh, fratelli, perdonate is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Nabucco / Act 2: Deh, fratelli, perdonate's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: Nabucco by Giuseppe Verdi, Elena Suliotis, Bruno Prevedi, Tito Gobbi, Vienna State Opera Chorus, Vienna State Opera Orchestra, Lamberto Gardelli. The song's track number on the album is #3 out of 31 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Nabucco / Act 2: Deh, fratelli, perdonate's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Nabucco / Act 2: Deh, fratelli, perdonate by Giuseppe Verdi, Anna D'Auria, Walter Krautler, Carlo Cava, Dora Carral, Bruno Prevedi, Giovanni Foiani, Tito Gobbi, Vienna State Opera Chorus, Vienna State Opera Orchestra, Lamberto Gardelli has a tempo of 126 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Nabucco / Act 2: Deh, fratelli, perdonate being at 126 BPM, the half-time would be 63 BPM with a double-time of 252 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Donizetti: Lucia di Lammermoor, Act 1: "Cruda, funesta smania" (Enrico, Normanno, Raimondo) | Gaetano Donizetti, Tito Gobbi, Gino Sarri, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Il tuo dubbio è omai certezza ... Come vinti da stanchezza" (Chorus, Normanno, Enrico, Raimondo) | Gaetano Donizetti, Gino Sarri/Tito Gobbi/Raffaele Arié/Coro del Maggio Musicale Fiorentino/Orchestra del Maggio Musicale Fiorentino/Tullio Serafin, Coro del Maggio Musicale Fiorentino, Gino Sarri, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tito Gobbi, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Simon Boccanegra / Prologue: L'altra magion vedete? (Paolo, Pietro, Coro) | Giuseppe Verdi, José van Dam, Giovanni Foiani, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | D Major | 1 | 10B | 94 BPM | ||
Il Barbiere di Siviglia, Act I, Scene One: Se il mio nome saper voi bramate (Conte/Rosina/Figaro) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Maria Callas, Luigi Alva, Tito Gobbi | E Minor | 1 | 9A | 171 BPM | ||
Puccini: Tosca, Act 2 Scene 2: "O galantuomo, come andò la caccia?" (Scarpia, Spoletta) | Giacomo Puccini, Maria Callas, Renato Cioni, Tito Gobbi, Victor Godfrey, Robert Bowman, Dennis Wicks, David Sellar, Eric Garrett, Carlo Felice Cillario, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Edgar Boniface | F♯ Minor | 2 | 11A | 112 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "Fra momenti io torno" (Figaro, Conte, Bartolo) | Gioachino Rossini, Alceo Galliera, Fritz Ollendorf, Luigi Alva, Tito Gobbi, Philharmonia Orchestra | G Major | 3 | 9B | 115 BPM | ||
La forza del destino, Act III, Scene III: Lorchè pifferi e tamburi | Giuseppe Verdi, Coro del Teatro Carlo Felice di Genova, Anna Maria Chiuri, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | C Minor | 2 | 5A | 88 BPM | ||
Lohengrin, WWV 75 / Act I: "Nun höret mich und achtet wohl" | Richard Wagner, Andreas Schmidt, Siegfried Jerusalem, Hartmut Welker, Kurt Moll, Cheryl Studer, Waltraud Meier, Vienna State Opera Chorus, Peter Burian, Wiener Philharmoniker, Claudio Abbado | B♭ Major | 1 | 6B | 175 BPM | ||
Jenufa / Act 1: Dusa moya, Stevo, Stevusko | Leoš Janáček, Elisabeth Söderström, Peter Dvorsky, Vienna State Opera Chorus | A♭ Minor | 4 | 1A | 74 BPM | ||
Verdi: La traviata, Act 3: "Ah! gran Dio! Morir sì giovine" (Violetta, Alfredo) | Giuseppe Verdi, Maria Callas, Francesco Albanese, Gabriele Santini, Orchestra Sinfonica della RAI | C Major | 3 | 8B | 115 BPM |
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