"Grabmusik, K. 42: 4. "Betracht dies Herz und frage mich" - Live" by Wolfgang Amadeus Mozart, Rachel Harnisch, Berliner Philharmoniker, Claudio Abbado, Kay Johannsen was released on January 1, 1999. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, Karita Mattila, Sara Minguardo, Michael Schade, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir's "Mozart: Requiem" album is number 15 out of 16. Grabmusik, K. 42: 4. "Betracht dies Herz und frage mich" - Live is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Grabmusik, K. 42: 4. "Betracht dies Herz und frage mich" - Live by Wolfgang Amadeus Mozart, Rachel Harnisch, Berliner Philharmoniker, Claudio Abbado, Kay Johannsen to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
William Tell: Overture | Gioachino Rossini, Ottomar Borwitzky, Berliner Philharmoniker, Herbert von Karajan | C Major | 3 | 8B | 71 BPM | ||
Requiem In D Minor, K. 626: Offertory: I. Domine Jesu Christe | Slovak Philharmonic, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Jozef Kundlák, Jaroslava Horska, Wolfgang Amadeus Mozart | G Minor | 2 | 6A | 91 BPM | ||
Sinfonia in D Major, BWV 1045: I. Allegro | Johann Sebastian Bach, Robert Hill, Cologne Chamber Orchestra, Helmut Müller-Brühl | D Major | 3 | 10B | 98 BPM | ||
Requiem, Op. 48: II. Kyrie | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | B♭ Major | 1 | 6B | 65 BPM | ||
Matthäuspassion, BWV 244: Aria: Buss und Reu (Alto) | Johann Sebastian Bach, Marianne Beate Kielland, Kolner Kammerorchester, Helmut Muller-Bruhl | F♯ Minor | 1 | 11A | 84 BPM | ||
Invitation to the Dance, Op. 65 (Aufforderung zum Tanze) - Orchestrated By H. Berlioz: Moderato - Allegro vivace - Vivace - Moderato | Carl Maria von Weber, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 122 BPM | ||
Scheherazade, Op. 35: II. Lento | Nikolai Rimsky-Korsakov, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 80 BPM | ||
Symphony No. 8 in B Minor, D. 759 "Unfinished": 1. Allegro moderato | Franz Schubert, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 107 BPM | ||
Requiem In D Minor, K. 626: Sequence: V. Confutatis Maledictis | Slovak Philharmonic, Vladimir Ruso, Slovak Philharmonic Chorus, Stefan Klimo, Magdaléna Hajóssyová, Jaroslava Horska, Jozef Kundlák, Peter Mikulas, Wolfgang Amadeus Mozart | A Minor | 0 | 8A | 101 BPM |
Section: 0.7031917572021484
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