Johann Sebastian Bach, Marianne Beate Kielland, Kolner Kammerorchester, Helmut Muller-Bruhl's 'Matthäuspassion, BWV 244: Aria: Buss und Reu (Alto)' came out on November 1, 2005. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Johann Sebastian Bach, Kolner Kammerorchester, Helmut Muller-Bruhl's "J.S. Bach: Matthäuspassion, BWV 244" album is number 6 out of 68. On top of that, Hong Kong appears to be the country where this track was created. Matthäuspassion, BWV 244: Aria: Buss und Reu (Alto) is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Matthäuspassion, BWV 244: Aria: Buss und Reu (Alto) by Johann Sebastian Bach, Marianne Beate Kielland, Kolner Kammerorchester, Helmut Muller-Bruhl to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto For 4 Harpsichords In A Minor, BWV 1065: I. - Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Robert Hill, Roderick Shaw, Johann Sebastian Bach | A Minor | 4 | 8A | 109 BPM | ||
Wie schon leuchtet der Morgenstern, BWV 1: Aria: Erfullet, ihr himmlischen gottlichen Flammen (Soprano) | Johann Sebastian Bach, Carolyn Sampson, Robin Blaze, Gerd Türk, Peter Kooij, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | A Major | 0 | 11B | 73 BPM | ||
II. Aus Tiefer Not Schrei Ich Zu Dir BWV 38, (6) Choral (Coro): Ob Bei Uns Ist Der Sünden Viel | Holland Boys Choir, Netherlands Bach Collegium, Sytse Buwalda, Knut Schoch, Rien Voskuilen, Johann Sebastian Bach, Ruth Holton, Pieter Jan Leusink | A♭ Minor | 0 | 1A | 84 BPM | ||
Stabat Mater: 4. Quae moerabat | Giovanni Battista Pergolesi, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | E♭ Major | 1 | 5B | 75 BPM | ||
I. Wo Soll Ich Fliehen Hin BWV 5, (1) Coro: Wo Soll Ich Fliehen Hin | Holland Boys Choir, Netherlands Bach Collegium, Peter Frankenberg, Nico Van Der Meel, Ruth Holton, Sytse Buwalda, Johann Sebastian Bach, Kristin Linde, Pieter Jan Leusink | F♯ Minor | 2 | 11A | 171 BPM | ||
Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Kyrie | Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | B♭ Major | 2 | 6B | 99 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.6 in D minor BWV851 | Daniel Barenboim | D Minor | 1 | 7A | 129 BPM | ||
Piano Sonata No.14 In C Sharp Minor, Op.27 No.2 -"Moonlight": 2. Allegretto | Ludwig van Beethoven, Daniel Barenboim | D♭ Major | 0 | 3B | 68 BPM | ||
Laudate pueri Dominum, RV 600: Sit nomen Domini benedictum | Antonio Vivaldi, Tracy Smith Bessette, Aradia Ensemble, Kevin Mallon | G Major | 4 | 9B | 92 BPM | ||
III. O Ewigkeit, Du Donnerwort BWV 20, Seconda Parte, (10) Aria (Duetto: Alto, Tenore): O Menschenkind, Hör Auf Geschwind | Holland Boys Choir, Netherlands Bach Collegium, Frank Wakelkamp, Johann Sebastian Bach, Vaughan Schlepp, Ruth Holton, Sytse Buwalda, Knut Schoch, Pieter Jan Leusink | A♭ Minor | 1 | 1A | 111 BPM |
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