Holland Boys Choir, Netherlands Bach Collegium, Frank Wakelkamp, Johann Sebastian Bach, Vaughan Schlepp, Ruth Holton, Sytse Buwalda, Knut Schoch, Pieter Jan Leusink made "III. O Ewigkeit, Du Donnerwort BWV 20, Seconda Parte, (10) Aria (Duetto: Alto, Tenore): O Menschenkind, Hör Auf Geschwind" available on December 20, 2006. The duration of III. O Ewigkeit, Du Donnerwort BWV 20, Seconda Parte, (10) Aria (Duetto: Alto, Tenore): O Menschenkind, Hör Auf Geschwind is about 3 minutes long, at 3:17. Based on our data, "III. O Ewigkeit, Du Donnerwort BWV 20, Seconda Parte, (10) Aria (Duetto: Alto, Tenore): O Menschenkind, Hör Auf Geschwind" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 23 out of 24 in Bach Cantatas (Complete) Part: 45 by Holland Boys Choir, Netherlands Bach Collegium. In terms of popularity, III. O Ewigkeit, Du Donnerwort BWV 20, Seconda Parte, (10) Aria (Duetto: Alto, Tenore): O Menschenkind, Hör Auf Geschwind is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of III. O Ewigkeit, Du Donnerwort BWV 20, Seconda Parte, (10) Aria (Duetto: Alto, Tenore): O Menschenkind, Hör Auf Geschwind by Holland Boys Choir, Netherlands Bach Collegium, Frank Wakelkamp, Johann Sebastian Bach, Vaughan Schlepp, Ruth Holton, Sytse Buwalda, Knut Schoch, Pieter Jan Leusink is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 5/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. I: No. 3. Aria, "Ach! Wie meint es Jesus gut" (Johannes) | Johann Sebastian Bach, Christian Friedrich Henrici, Il Gardellino, Alexander Grychtolik, Daniel Johannsen | A♭ Minor | 2 | 1A | 96 BPM | ||
Markuspassion: No. 1, Chorus. Geh, JEsu, geh zu deiner Pein! | Nikolaus Matthes, Ensemble Gli Aspetti | D♭ Minor | 0 | 12A | 90 BPM | ||
Organ Voluntary in D Major, Op. 6 No. 6: I. Adagio | John Stanley, Richard Marlow | D Major | 0 | 10B | 63 BPM | ||
Elias, Op. 70: Teil II: Ja, es sollen wohl Berge weichen | Felix Mendelssohn, Thomas Hengelbrock | B♭ Major | 1 | 6B | 67 BPM | ||
Jauchzet dem Herrn alle Welt, BWV Anh. 160: II. No. 2, Chorale: Sei Lob und Preis mit Ehren | Georg Philipp Telemann, Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan | E♭ Minor | 2 | 2A | 74 BPM | ||
III. Meine Seel Erhebt Den Herren BWV 10, 1. Coro: Meine Seel Erhebt Den Herren | Holland Boys Choir, Netherlands Bach Collegium, Sytse Buwalda, Johann Sebastian Bach, Knut Schoch, Peter Frankenberg, Ruth Holton, Bas Ramselaar, Ofer Frenkel, Pieter Jan Leusink | B Minor | 3 | 10A | 89 BPM | ||
V. Es Reißet Euch Ein Schrecklich Ende BWV 90, Choral (Coro): Leit Uns Mit Deiner Rechten Hand | Pieter Jan Leusink, Susan Williams, Bas Ramselaar, Sytse Buwalda, Holland Boys Choir, Netherlands Bach Collegium, Knut Schoch, Johann Sebastian Bach, Amsterdam Classics B.V., Jean Van Vugt, Ruth Holton, Louis Van Emmerik | D♭ Minor | 1 | 12A | 75 BPM | ||
Matthäus Passion, Prima Parte: 19. Recitative (Tenor) With Chorale: O Schmerz! Hier Zittert Das Gequälte Herz | Stephen Cleobury, Martyn Hill, Rogers Covey-Crump, Johann Sebastian Bach, Choir of King's College, Cambridge, David Thomas, Michael Chance, Emma Kirkby, Michael George | E Minor | 1 | 9A | 130 BPM | ||
Am Abend aber desselbigen Sabbats, BWV 42: Aria. Jesus ist ein Schild der Seinen (Bass) | Johann Sebastian Bach, Yukari Nonoshita, Robin Blaze, James Gilchrist, Dominik Worner, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | F♯ Minor | 0 | 11A | 102 BPM | ||
Ons is gheboren een kindekijn, SwWV 315: IV. Variation IV | Jan Pieterszoon Sweelinck, Gustav Auzinger | C Major | 0 | 8B | 92 BPM |
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