Pieter Jan Leusink, Susan Williams, Bas Ramselaar, Sytse Buwalda, Holland Boys Choir, Netherlands Bach Collegium, Knut Schoch, Johann Sebastian Bach, Amsterdam Classics B.V., Jean Van Vugt, Ruth Holton, Louis Van Emmerik's 'V. Es Reißet Euch Ein Schrecklich Ende BWV 90, Choral (Coro): Leit Uns Mit Deiner Rechten Hand' came out on December 22, 2006. With V. Es Reißet Euch Ein Schrecklich Ende BWV 90, Choral (Coro): Leit Uns Mit Deiner Rechten Hand being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 19 out of 19 in Bach Edition Vol. 8, Cantatas Vol. III Part: 1 by Pieter Jan Leusink. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. V. Es Reißet Euch Ein Schrecklich Ende BWV 90, Choral (Coro): Leit Uns Mit Deiner Rechten Hand is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of V. Es Reißet Euch Ein Schrecklich Ende BWV 90, Choral (Coro): Leit Uns Mit Deiner Rechten Hand by Pieter Jan Leusink, Susan Williams, Bas Ramselaar, Sytse Buwalda, Holland Boys Choir, Netherlands Bach Collegium, Knut Schoch, Johann Sebastian Bach, Amsterdam Classics B.V., Jean Van Vugt, Ruth Holton, Louis Van Emmerik is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Heilig ist Gott, Wq. 217: Heilig ist Gott, Wq. 217: 1. Ariette. Herr, wert, daß Scharen der Engel (A) | Carl Philipp Emanuel Bach, Wiebke Lehmkuhl, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | F♯ Major | 1 | 2B | 79 BPM | ||
Paulus: II. Teil: Nr. 42 Chor "Sehet, welch eine Liebe" | Felix Mendelssohn, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale | A Major | 0 | 11B | 80 BPM | ||
Sonata No. 10 in F Major, “L’ affetuosa”: I. Allegro affettuoso | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | C Major | 4 | 8B | 213 BPM | ||
Partita Hos Gud er idel glede, Op. 44: VII. Var 6 | Knut Nystedt, Anders Eidsten Dahl | E♭ Major | 0 | 5B | 69 BPM | ||
Symphony No. 6 in F Major, Op. 2, "Solomon": I. Largo - Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | B Major | 1 | 1B | 103 BPM | ||
Vivat Rex | David John Hicken, David Hicken | D Minor | 1 | 7A | 76 BPM | ||
II. Der Friede Sei Mit Dir BWV 158, 4. Choral (Coro): Hier Ist Das Rechte Osterlamm | Holland Boys Choir, Netherlands Bach Collegium, Nico Van Der Meel, Ruth Holton, Sytse Buwalda, Johann Sebastian Bach, Bas Ramselaar, Pieter Jan Leusink | E♭ Minor | 1 | 2A | 144 BPM | ||
A Gigg "Doctor Bull's Myself" | William Byrd, Matthias Janz | C Major | 1 | 8B | 121 BPM | ||
Vater unser im Himmelreich, Variation 10 | Johann Ulrich Steigleder, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (4) Choral (Tenore): Zion Hört Die Wächter Singen | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Nico Van Der Meel, Johann Sebastian Bach, Pieter Jan Leusink | D Major | 0 | 10B | 166 BPM |
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