Eduard Strauss, Vienna Walzer Orchestra, Sandro Cuturello made "Mit Vergnügen!: Polka-schnell, Op. 228" available on July 4, 2019. The duration of Mit Vergnügen!: Polka-schnell, Op. 228 is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Mit Vergnügen!: Polka-schnell, Op. 228's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Rota - Di Chiara - Strauss -Waldteufel -Zeller - Raymond - Ziehrer - Suppé - Anderson: Vienna Walzer Orchestra, Waltz Forever, vol 9 , Japan 2014-2018". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Bulgaria. In terms of popularity, Mit Vergnügen!: Polka-schnell, Op. 228 is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Mit Vergnügen!: Polka-schnell, Op. 228 by Eduard Strauss, Vienna Walzer Orchestra, Sandro Cuturello having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Des Matrosen Heimkehr: Tanz der Schiffsjungen | Franz von Suppé, Tonkünstler-Orchester, Ola Rudner | D Major | 2 | 10B | 168 BPM | ||
Act II: Coda (Minkus) | Mariinsky Orchestra | D Major | 2 | 10B | 90 BPM | ||
Donna Diana: Overture | Emil Nikolaus von Reznicek, Leonard Bernstein, New York Philharmonic | A Major | 5 | 11B | 102 BPM | ||
Coppelia Ballet Suite: Festival of the Clocks and Dance of the Hours | Léo Delibes, Slovak Radio Symphony Orchestra, Ondrej Lenard | E♭ Major | 0 | 5B | 181 BPM | ||
The Seasons, Op. 67, Pt. 4 "L'automne": No. 14d, Le printemps | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
Messager: The Two Pigeons, Act 1: Dance of the Two Pigeons | André Messager, Bournemouth Symphony Orchestra, John Lanchbery | A Major | 2 | 11B | 132 BPM | ||
Kleiner Anzeiger, Galopp, Op. 4 | Joseph Hellmesberger, Jr., Georges Prêtre, Wiener Philharmoniker | F Minor | 7 | 4A | 87 BPM | ||
Roses From The South | Johann Sebastian Strauss, London Festival Orchestra | B♭ Major | 3 | 6B | 99 BPM | ||
Chantilly, Waltz, Op. 171 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | B♭ Major | 2 | 6B | 99 BPM | ||
Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM |
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