Mariinsky Orchestra's 'Act II: Coda (Minkus)' came out on January 1, 2006. The duration of Act II: Coda (Minkus) is about 3 minutes long, at 3:17. Based on our data, "Act II: Coda (Minkus)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Mariinsky Orchestra's "Minkus: Don Quixote, Victor Fedotov" album is number 5 out of 53. In terms of popularity, Act II: Coda (Minkus) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Act II: Coda (Minkus) by Mariinsky Orchestra to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 in C Minor, Op. 18: 1. Moderato - Live | Sergei Rachmaninoff, Lang Lang, Mariinsky Orchestra, Valery Gergiev | C Minor | 1 | 5A | 70 BPM | ||
Der Liebeszauber: Feuertanz | Manuel de Falla, Rundfunk Sinfonieorchester Berlin, Heinz Rögner | E Major | 1 | 12B | 140 BPM | ||
Madama Butterfly, SC 74, Act II: Humming Chorus | Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel, May Festival Chorus | G Minor | 1 | 6A | 76 BPM | ||
Dans les bois, Polka-mazurka, Op. 119 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 1 | 10B | 115 BPM | ||
Prince Igor - Mariinsky Theatre Edition - Act 1: No.6 Recitative and Cavatina: "Medlenno den'ugasal" | Alexander Borodin, Gegam Grigorian, Mariinsky Orchestra, Valery Gergiev | C Major | 3 | 8B | 125 BPM | ||
Elgar: Pomp and Circumstance, Op. 39: III. March No. 3 in C Minor (Con fuoco - Vivace - Cantabile) | Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult | B♭ Minor | 2 | 3A | 71 BPM | ||
Adam: Giselle, Act 1: No. 5 Variation I | Adolphe Adam, Terence Kern, London Festival Ballet Orchestra | A Major | 2 | 11B | 77 BPM | ||
Riccardo Drigo: Serenade aus dem Ballett " Die Millionen des Harlekin " | Wiener Promenaden-Orchester, Hans Hagen | A Major | 1 | 11B | 140 BPM | ||
Spartacus, Act I: Dance of a Greek Slaves (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Minor | 1 | 9A | 111 BPM | ||
Fest, Op. 49 (arr. L. Babinski): Fest-Marsch, Op. 49 (orch L. Babinski) | Johann Strauss II, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | C Major | 1 | 8B | 98 BPM |
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