Francis Poulenc, Anne Queffélec's 'Suite française d’après Claude Gervaise, FP 80: II. Pavane' came out on January 13, 2017. The duration of Suite française d’après Claude Gervaise, FP 80: II. Pavane is about 3 minutes long, at 3:07. Based on our data, "Suite française d’après Claude Gervaise, FP 80: II. Pavane" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 24 in Entrez dans la danse... by Anne Queffélec, Gaspard Dehaene. Based on our statistics, Suite française d’après Claude Gervaise, FP 80: II. Pavane's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Suite française d’après Claude Gervaise, FP 80: II. Pavane by Francis Poulenc, Anne Queffélec is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | F Major | 1 | 7B | 83 BPM | ||
6 Piano Pieces, Op.118: 2. Intermezzo In A Major | Johannes Brahms, Radu Lupu | D Minor | 0 | 7A | 135 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
Avant-dernières pensées: I. Idylle | Erik Satie, Francis Poulenc | A Minor | 1 | 8A | 115 BPM | ||
Études-tableaux, Op. 39: No. 2, Lento assai | Sergei Rachmaninoff, Boris Giltburg | A Minor | 0 | 8A | 65 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Le Bal Masqué: I. Préambule et Air de bravoure | Francis Poulenc, Malcolm Martineau, Thomas Allen, Julian Bliss, Jarek Augustyniak, Simon Desbruslais, Tamsin Waley-Cohen, Gemma Rosefield, David Corkhill, Andrew Barnard, Gary Lovenest, David Cowley | G Major | 3 | 9B | 94 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
Canción | Manuel de Falla, Javier Perianes | C Minor | 0 | 5A | 76 BPM |
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