Francisco António de Almeida, Carlos Mena, Ana Quintans, Os Músicos do Tejo, Marcos Magalhaes's 'Il trionfo d'amore, Pt. 2: Part II: Recitativo: Amabile Nerina, la tua pieta mi pesa (Arsindo, Nerina)' came out on October 2, 2015. With Il trionfo d'amore, Pt. 2: Part II: Recitativo: Amabile Nerina, la tua pieta mi pesa (Arsindo, Nerina) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 10 out of 39 in Almeida: Il trionfo d'amore by Francisco António de Almeida, Ana Quintans, Carlos Mena, Joana Seara, Fernando Guimarães, Marcos Magalhaes. In terms of popularity, Il trionfo d'amore, Pt. 2: Part II: Recitativo: Amabile Nerina, la tua pieta mi pesa (Arsindo, Nerina) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Il trionfo d'amore, Pt. 2: Part II: Recitativo: Amabile Nerina, la tua pieta mi pesa (Arsindo, Nerina) by Francisco António de Almeida, Carlos Mena, Ana Quintans, Os Músicos do Tejo, Marcos Magalhaes is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 1/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata Op.5, No.10: Sarabanda | Arcangelo Corelli, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 86 BPM | ||
Manna: Laudate pueri: II. Quis sicut Dominus | Gennaro Manna, Jakub Józef Orliński, Il pomo d'oro Choir, Francesco Corti, Il Pomo D'oro | B Minor | 2 | 10A | 91 BPM | ||
Pavanne in F-sharp minor | Louis Couperin, Richard Egarr | E Minor | 1 | 9A | 68 BPM | ||
Il trionfo d'amore, Introduzione: Introduzione: Sinfonia: Allegro staccato | Francisco António de Almeida, Os Músicos do Tejo, Marcos Magalhaes | D♭ Major | 2 | 3B | 124 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Major | 1 | 1B | 64 BPM | ||
Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: II. Adagio Ma Non Tanto | Cologne Chamber Orchestra, Johann Sebastian Bach | C Minor | 1 | 5A | 83 BPM | ||
Sonata for 2 Recorders and Basso Continuo in D Minor: II. Allegro | Giuseppe Sammartini, Dan Laurin, Parnassus Avenue | D♭ Minor | 0 | 12A | 141 BPM | ||
Cantata No. 82, BWV 82 "Ich habe genug": I. "Ich habe genug" | Johann Sebastian Bach, Ann-Kathrin Bruggemann, Philippe Jaroussky, Petra Mullejans, Freiburger Barockorchester | D♭ Major | 2 | 3B | 142 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: I. Andante Spiccato | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
La Spinalba, ovvero Il vecchio matto: Act II Scene 11: Aria: Un cor, ch'ha per costume (Spinalba) | Francisco António de Almeida, Ana Quintans, Joao Fernandes, Joana Seara, Luis Rodrigues, Catia Moreso, Mário Alves, Ines Madeira, Fernando Guimarães, Musicos do Tejo, Os, Marcos Magalhaes | D♭ Major | 2 | 3B | 112 BPM |
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