Franz Schubert, Barbara Bonney, Geoffrey Parsons made "Schubert: Die Forelle, Op. 32, D. 550" available on January 1, 1994. The duration of Schubert: Die Forelle, Op. 32, D. 550 is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Schubert: Die Forelle, Op. 32, D. 550's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Schubert: Ave Maria, Die Forelle, Heidenröslein & Other Lieder". In this album, this song's track order is #10. Schubert: Die Forelle, Op. 32, D. 550 is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Schubert: Die Forelle, Op. 32, D. 550 by Franz Schubert, Barbara Bonney, Geoffrey Parsons having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4: IV. Sehr behaglich | Gustav Mahler, Berliner Philharmoniker, Yannick Nézet-Séguin, Christiane Karg | E Minor | 1 | 9A | 80 BPM | ||
Fauré: 2 Mélodies, Op. 1: No. 1, Le papillon et la fleur | Gabriel Fauré, Véronique Gens, Roger Vignoles | E♭ Minor | 1 | 2A | 123 BPM | ||
Widmung, Op.25, No.1 | Robert Schumann, Dietrich Fischer-Dieskau, Christoph Eschenbach | F♯ Major | 0 | 2B | 83 BPM | ||
Das Verlassene Mägdlein | Hugo Wolf, Barbara Hendricks | A Minor | 0 | 8A | 70 BPM | ||
Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | ||
String Quintet in E Major, G. 275: III. Menuetto | Luigi Boccherini, Orpheus Chamber Orchestra | A Major | 0 | 11B | 112 BPM | ||
Fauré: Requiem, Op. 48: II. Offertoire | Gabriel Fauré, Matthias Goerne, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | D Major | 0 | 10B | 83 BPM | ||
Verdi: Messa da Requiem: IX. Ingemisco | Giuseppe Verdi, Riccardo Muti, Luciano Pavarotti, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | ||
Les Pecheurs des Perles / Act 1: "Au fond du temple saint" | Georges Bizet, Luciano Pavarotti, Nicolai Ghiaurov, National Philharmonic Orchestra, Robin Stapleton | E♭ Major | 2 | 5B | 78 BPM | ||
Pelléas et Mélisande, Op. 80: 4. Sicilienne | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM |
Section: 0.7281291484832764
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