Luciano Pavarotti, Orchestra, Henry Mancini, Andrea Griminelli's 'Buzzi-Peccia: Lolita' came out on November 15, 2004. The duration of Buzzi-Peccia: Lolita is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Buzzi-Peccia: Lolita's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 36 in the song's album "The Very Best Of The Three Tenors (2 CDs + DVD)". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United Kingdom. Buzzi-Peccia: Lolita is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Buzzi-Peccia: Lolita by Luciano Pavarotti, Orchestra, Henry Mancini, Andrea Griminelli having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
My Way | Frank Sinatra, Luciano Pavarotti | C Major | 3 | 8B | 145 BPM | ||
Seguire me | Anna Netrebko | F Major | 2 | 7B | 82 BPM | ||
Adriana Lecouvreur / Act 1: "La dolcissima effigie sorridente" | Francesco Cilea, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | A♭ Major | 2 | 4B | 85 BPM | ||
Der Rosenkavalier, Op. 59, TrV 227 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | F Major | 3 | 7B | 171 BPM | ||
Aida: O patria mia | Anita Cerquetti, Orchestra del Maggio Musicale Fiorentino, Gianandrea Gavazzeni | C Major | 2 | 8B | 99 BPM | ||
Un ballo in maschera / Act 1: "E scherzo od è follia" | Giuseppe Verdi, Luciano Pavarotti, Regina Resnik, Leonardo Monreale, Nicolas Christou, Helen Donath, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Bruno Bartoletti | C Minor | 0 | 5A | 69 BPM | ||
L'elisir d'amore / Act 1: "Adina credimi...Fra lieti concenti" | Gaetano Donizetti, Luciano Pavarotti, Dominic Cossa, Dame Joan Sutherland, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 87 BPM | ||
Otello / Act 4: "Niun mi tema" - Live At Chicago / 1991 | Giuseppe Verdi, Luciano Pavarotti, Anthony Rolfe Johnson, Dimitri Kavrakos, Alan Opie, Chicago Symphony Orchestra, Sir Georg Solti | E Minor | 1 | 9A | 92 BPM | ||
Cantate con me | Cesare Andrea Bixio, Luciano Pavarotti, Andrea Griminelli, Orchestra del Teatro Comunale di Bologna, Henry Mancini | B♭ Major | 3 | 6B | 86 BPM | ||
Cavalleria rusticana: "A voi tutti salute" | Pietro Mascagni, Luciano Pavarotti, Piero Cappuccilli, Carmen Gonzales, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | B Major | 1 | 1B | 69 BPM |
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