"Otello / Act 4: "Niun mi tema" - Live At Chicago / 1991" by Giuseppe Verdi, Luciano Pavarotti, Anthony Rolfe Johnson, Dimitri Kavrakos, Alan Opie, Chicago Symphony Orchestra, Sir Georg Solti was released on January 1, 2001. With this song being about 5 minutes long, at 4:38, "Otello / Act 4: "Niun mi tema" - Live At Chicago / 1991" by Giuseppe Verdi, Luciano Pavarotti, Anthony Rolfe Johnson, Dimitri Kavrakos, Alan Opie, Chicago Symphony Orchestra, Sir Georg Solti is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 19 in the song's album "The Pavarotti Edition, Vol.4: Verdi". In this album, this song's track order is #19. In terms of popularity, Otello / Act 4: "Niun mi tema" - Live At Chicago / 1991 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Otello / Act 4: "Niun mi tema" - Live At Chicago / 1991 by Giuseppe Verdi, Luciano Pavarotti, Anthony Rolfe Johnson, Dimitri Kavrakos, Alan Opie, Chicago Symphony Orchestra, Sir Georg Solti having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Luna Marinara | Pasquale Vincenzo Bonagura, Mario Festa, Luciano Pavarotti, Andrea Griminelli, Orchestra del Teatro Comunale di Bologna, Henry Mancini | A Minor | 3 | 8A | 170 BPM | ||
Die Walküre / Erster Aufzug: "Schläfst du, Gast?" | Richard Wagner, Régine Crespin, James King, Wiener Philharmoniker, Sir Georg Solti | E Minor | 2 | 9A | 164 BPM | ||
Non t'amo più | Francesco Paolo Tosti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | B♭ Minor | 1 | 3A | 80 BPM | ||
La traviata / Act 1: "Si ridesta in ciel l'aurora" | Giuseppe Verdi, Luciano Pavarotti, Wendy White, Anthony Laciura, Metropolitan Opera Chorus, James Levine | A♭ Major | 4 | 4B | 94 BPM | ||
Die Zauberflöte, K.620: O zittre nicht (Act I) - excerpt | Wolfgang Amadeus Mozart, Sumi Jo, Uwe Heilmann, Wiener Philharmoniker, Sir Georg Solti | B♭ Major | 1 | 6B | 81 BPM | ||
Caro mio ben | Tomasso Giordani, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | F Major | 1 | 7B | 85 BPM | ||
Andrea Chénier / Act 3: "Sì, fui soldato .. Passa la vita mia" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | B♭ Major | 5 | 6B | 159 BPM | ||
Manon Lescaut / Act 1: Tra voi belle, brune e bionde | Giacomo Puccini, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | F Major | 2 | 7B | 165 BPM | ||
Pioggia | Ottorino Respighi, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | G Minor | 1 | 6A | 73 BPM | ||
Rigoletto, Act IV: Bella figlia dell'amore | Giuseppe Verdi, Ettore Bastianini, Alfredo Kraus, Renata Scotto, Fiorenza Cossotto, Gianandrea Gavazzeni, Orchestra del Maggio Musicale Fiorentino | D♭ Major | 2 | 3B | 105 BPM |
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