"Brambach, Lieder für Bass und Klavier: No. 2, Flugzeit" by Hannes Heher, Paul Harris, Rupert Bergmann was released on 1998. The duration of Brambach, Lieder für Bass und Klavier: No. 2, Flugzeit is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Brambach, Lieder für Bass und Klavier: No. 2, Flugzeit's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Hannes Heher, Various Artists's "Hannes Heher: Experience" album is number 14 out of 17. On top of that, Austria appears to be the country where this track was created. Based on our statistics, Brambach, Lieder für Bass und Klavier: No. 2, Flugzeit's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Brambach, Lieder für Bass und Klavier: No. 2, Flugzeit by Hannes Heher, Paul Harris, Rupert Bergmann to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
7 Papillons: No. 5. — | Kaija Saariaho, Anssi Karttunen | D Major | 2 | 10B | 61 BPM | ||
The Tides of Manaunaun - 1912 | Henry Cowell, Floraleda Sacchi | D♭ Major | 0 | 3B | 91 BPM | ||
Bartók: String Quartet No. 5 in B-Flat Major, Sz. 102: II. Adagio molto | Béla Bartók, Belcea Quartet | G Major | 0 | 9B | 78 BPM | ||
Concerto for Cello & Wind Band: III. Cadenza | Friedrich Gulda, Nicolas Altstaedt, Alexander Joel, Deutsche Staatsphilharmonie Rheinland-Pfalz | A Major | 0 | 11B | 164 BPM | ||
Symphony No.1 in E Major, Op. 26: IV. Vivace | Alexander Scriabin, London Symphony Orchestra, Valery Gergiev | G Major | 1 | 9B | 76 BPM | ||
Cello Concerto: III. Cadenza | Kirmo Lintinen, Trey Lee, English Chamber Orchestra, Emilia Hoving | G Major | 2 | 9B | 85 BPM | ||
Recitation Book: V. Fanfare on the Chorale Melody "Durch Adams Fall" | David Maslanka, Masato Kumoi Sax Quartet | A♭ Major | 3 | 4B | 88 BPM | ||
Pedro y el Lobo: El Logo Agarra Al Pato | Sergei Prokofiev, Ensemble Orquestra De Cadaqués, Leonor Watling, Vasily Petrenko | F Major | 5 | 7B | 118 BPM | ||
Symphony No. 1 in D Minor, "The Gothic": Part 1: I Allegro assai: section 1 | Havergal Brian, Vladimir Dolezal, Eva Jenisova, Peter Mikulas, Dagmar Peckova, Pavol Procházka, Bratislava Children's Choir, Bratislava City Chorus, Lucnica Chorus, Slovak Folk Ensemble Chorus, Slovak Opera Chorus, Slovak Philharmonic Choir, Echo Youth Choir, Slovak Philharmonic, Slovak Radio Symphony Orchestra, Ondrej Lenard | B♭ Major | 3 | 6B | 58 BPM | ||
Uaxuctum: III. — | Giacinto Scelsi, Concentus Vocalis Griesensis, Vienna Radio Symphony Orchestra, Peter Rundel | B♭ Major | 0 | 6B | 85 BPM |
Section: 1.0206546783447266
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