"Concerto for Cello & Wind Band: III. Cadenza" by Friedrich Gulda, Nicolas Altstaedt, Alexander Joel, Deutsche Staatsphilharmonie Rheinland-Pfalz was released on January 30, 2009. Since Concerto for Cello & Wind Band: III. Cadenza is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Schumann: Cello Concerto, Op. 129 - Tchaikovsky: Rococo Variations - F. Gulda: Cello Concerto". In this album, this song's track order is #7. The popularity of Concerto for Cello & Wind Band: III. Cadenza is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto for Cello & Wind Band: III. Cadenza by Friedrich Gulda, Nicolas Altstaedt, Alexander Joel, Deutsche Staatsphilharmonie Rheinland-Pfalz having a BPM of 164 with a half-time of 82 BPM and a double-time of 328 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonatina in G Major, Op. 36 No. 2: II. Allegretto | Muzio Clementi, Howard Shelley | E Minor | 1 | 9A | 104 BPM | ||
34 Valses sentimentales, D. 779: No. 2 in C Major | Franz Schubert, Piers Lane | D♭ Minor | 0 | 12A | 65 BPM | ||
Sonatine: III. Shuffle | Friedrich Gulda, Martin David Jones | A Minor | 2 | 8A | 142 BPM | ||
Jeux d'enfants, Op. 22 WD 56: 2. La toupie | Georges Bizet, Arthur Jussen, Lucas Jussen | D Major | 2 | 10B | 111 BPM | ||
6 Pezzi, P. 44: No. 4. Minuetto | Ottorino Respighi, Konstantin Scherbakov | G Major | 0 | 9B | 132 BPM | ||
Liebesbotschaft, S. 560/10 from Schwanengesang | Franz Liszt, Arcadi Volodos | G Major | 0 | 9B | 62 BPM | ||
Gulda: Concerto for Cello, Wind Orchestra and Band, Op. 129: V. Finale alla marcia | Friedrich Gulda, Edgar Moreau, Raphaël Merlin, Les Forces Majeures | F Major | 6 | 7B | 152 BPM | ||
Menuet in C-Sharp Minor, M. 42 | Maurice Ravel, Steven Osborne | A Major | 0 | 11B | 110 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM |
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