"Nocturne à deux voix (H.31)" by Hector Berlioz, Françoise Pollet, Göran Söllscher, Anne Sofie von Otter was released on June 27, 2020. The duration of Nocturne à deux voix (H.31) is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Nocturne à deux voix (H.31)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 142 out of 211 in Berlioz: An Introduction by Hector Berlioz. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Nocturne à deux voix (H.31) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Nocturne à deux voix (H.31) by Hector Berlioz, Françoise Pollet, Göran Söllscher, Anne Sofie von Otter is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
La Marseillaise, H 51 | Hector Berlioz, Claude Joseph Rouget de Lisle, Baltimore Symphony Orchestra, David Zinman, Richard Leech, Sylvia McNair, Choir of St. David's Episcopal Church, Choir of St. Michael and All Angels, Baltimore Symphony Orchestra & Chorus | C Major | 3 | 8B | 175 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance I | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 97 BPM | ||
Symphonie fantastique, Op. 14, H. 48: II. Un bal - Live | Hector Berlioz, Bavarian Radio Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 88 BPM | ||
Masques et bergamasques Suite, Op. 112: III. Gavotte: Allegro vivo | Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot | D Minor | 1 | 7A | 101 BPM | ||
Concerto for Clarinet and Orchestra No. 1 in F minor J114 (Op. 73): Allegro | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | F Minor | 1 | 4A | 128 BPM | ||
Berlioz: Les Nuits d'été, Op. 7, H 81b: I. Villanelle, H 82b | Hector Berlioz, Théophile Gautier, Véronique Gens/Louis Langree/Orchestre de l'Opéra National de Lyon, Louis Langrée, Orchestre De L'Opéra National De Lyon | A Major | 1 | 11B | 134 BPM | ||
Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum" | Gioachino Rossini, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | C Major | 3 | 8B | 148 BPM | ||
Piano Concerto No. 1 in G Minor, Op. 25, MWV O7: 1. Molto allegro con fuoco | Felix Mendelssohn, Jan Lisiecki, Orpheus Chamber Orchestra | A♭ Major | 2 | 4B | 80 BPM | ||
Masquerade Suite: Nocturne | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | A Major | 1 | 11B | 105 BPM |
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