Jean-Baptiste Lully, Chœur De Chambre De Namur, Millenium Orchestra, Cappella Mediterranea, Leonardo García-Alarcón, Sophie Junker, Judith van Wanroij, Matthias Vidal, Thibaut Lenaerts, Alain Buet made "Dies irae, LWV 64/1: Tuba mirum spargens sonum" available on August 16, 2019. With Dies irae, LWV 64/1: Tuba mirum spargens sonum being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Jean-Baptiste Lully, Chœur De Chambre De Namur, Leonardo García-Alarcón, Millenium Orchestra's "Lully: Dies Irae, De Profundis, Te Deum" album is number 2 out of 26. On top of that, France appears to be the country where this track was created. Based on our statistics, Dies irae, LWV 64/1: Tuba mirum spargens sonum's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Dies irae, LWV 64/1: Tuba mirum spargens sonum by Jean-Baptiste Lully, Chœur De Chambre De Namur, Millenium Orchestra, Cappella Mediterranea, Leonardo García-Alarcón, Sophie Junker, Judith van Wanroij, Matthias Vidal, Thibaut Lenaerts, Alain Buet to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM | ||
Rameau: Hippolyte et Aricie, RCT 43, Act 3 Scene 1: Prélude | Jean-Philippe Rameau, Véronique Gens, Christophe Rousset, Les Talens Lyriques | B♭ Major | 2 | 6B | 107 BPM | ||
Ballet Des Arts / La Peinture: Dialogue d'Apelle et de Zeuxis (Ritournelle, Dialogue 1, Ritournelle, Dialogue 2) | Jean-Baptiste Lully, Romain Champion, Arnaud Richard, La Simphonie Du Marais, Hugo Reyne | G Major | 3 | 9B | 96 BPM | ||
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 104 BPM | ||
Sinfonia for Strings in G major, RV 149: I. Allegro molto | Karoly Botvay | D Major | 2 | 10B | 125 BPM | ||
Atys, LWV 53, Acte III, Scène 4: Prélude. "Dormons, dormons tous" (Le Sommeil) | Jean-Baptiste Lully, Gilles Ragon, Jean-Paul Fouchécourt, Bernard Deletré, Michel Laplénie, Les Arts Florissants, William Christie | F♯ Minor | 0 | 11A | 100 BPM | ||
Purcell : King Arthur : Air | William Christie | G Minor | 1 | 6A | 0 BPM | ||
Concerto Grosso in F Major, Op. 3, No. 1: I. Allegro assai: Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 3 | 8B | 114 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Hasse: Sanctus Petrus et Sancta Maria Magdalena: "Mea tormenta, properate!" | Johann Adolf Hasse, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | D Major | 3 | 10B | 75 BPM |
Section: 0.6922097206115723
End: 0.6958260536193848