Jean-Baptiste Lully, Romain Champion, Arnaud Richard, La Simphonie Du Marais, Hugo Reyne made "Ballet Des Arts / La Peinture: Dialogue d'Apelle et de Zeuxis (Ritournelle, Dialogue 1, Ritournelle, Dialogue 2)" available on January 1, 2012. With this song being about 5 minutes long, at 4:38, "Ballet Des Arts / La Peinture: Dialogue d'Apelle et de Zeuxis (Ritournelle, Dialogue 1, Ritournelle, Dialogue 2)" by Jean-Baptiste Lully, Romain Champion, Arnaud Richard, La Simphonie Du Marais, Hugo Reyne is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Jean-Baptiste Lully, Hugo Reyne's "Lully: Musiques royales" album is number 13 out of 248. On top of that, France appears to be the country where this track was created. In terms of popularity, Ballet Des Arts / La Peinture: Dialogue d'Apelle et de Zeuxis (Ritournelle, Dialogue 1, Ritournelle, Dialogue 2) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Ballet Des Arts / La Peinture: Dialogue d'Apelle et de Zeuxis (Ritournelle, Dialogue 1, Ritournelle, Dialogue 2) by Jean-Baptiste Lully, Romain Champion, Arnaud Richard, La Simphonie Du Marais, Hugo Reyne to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For 4 Harpsichords In A Minor, BWV 1065: II. Largo | Cologne Chamber Orchestra, Roderick Shaw, Christoph Anselm Noll, Robert Hill, Gerald Hambitzer, Johann Sebastian Bach | G Major | 2 | 9B | 81 BPM | ||
Alceste, LWV 50: La Pompe Funèbre (1674) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | F Minor | 2 | 4A | 78 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM | ||
Le Bourgeois Gentilhomme: Le musicien italien | Jean-Baptiste Lully, La Simphonie Du Marais, Hugo Reyne, Jean-Louis Georgel, Julie Hassler | F♯ Minor | 2 | 11A | 101 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
Cello Concerto No. 1 In C Major, G. 477: II. Largo | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | F Major | 0 | 7B | 70 BPM | ||
L'Eraclea: Dopo i nembi e le procelle | Tomaso Albinoni, Simone Kermes, Amici Veneziani | D Minor | 1 | 7A | 137 BPM | ||
Le bourgeois gentilhomme: Chaconne | Jean-Baptiste Lully, Emanuela Galli, Yetzabel Arias Fernandez, La Risonanza, Fabio Bonizzoni | C Major | 2 | 8B | 90 BPM | ||
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 1 | 5A | 74 BPM | ||
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 104 BPM |
Section: 0.6146843433380127
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