"Gotterdammerung (Twilight of the Gods): Act I Scene 3: Altgewohntes Gerausch raunt meinem Ohr die Ferne (Brunnhilde, Waltraute)" by Richard Wagner, Stephen Gould, Ralf Lukas, Andrew Shore, Hans-Peter Konig, Linda Watson, Edith Haller, Christa Mayer, Simone Schroder, Martina Dike, Fionnuala McCarthy, Ulrike Helzel, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Christian Thielemann was released on January 11, 2009. The duration of Gotterdammerung (Twilight of the Gods): Act I Scene 3: Altgewohntes Gerausch raunt meinem Ohr die Ferne (Brunnhilde, Waltraute) is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Gotterdammerung (Twilight of the Gods): Act I Scene 3: Altgewohntes Gerausch raunt meinem Ohr die Ferne (Brunnhilde, Waltraute)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wagner: Der Ring des Nibelungen by Richard Wagner, Christian Thielemann. The song's track number on the album is #5 out of 255 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Gotterdammerung (Twilight of the Gods): Act I Scene 3: Altgewohntes Gerausch raunt meinem Ohr die Ferne (Brunnhilde, Waltraute) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Gotterdammerung (Twilight of the Gods): Act I Scene 3: Altgewohntes Gerausch raunt meinem Ohr die Ferne (Brunnhilde, Waltraute) by Richard Wagner, Stephen Gould, Ralf Lukas, Andrew Shore, Hans-Peter Konig, Linda Watson, Edith Haller, Christa Mayer, Simone Schroder, Martina Dike, Fionnuala McCarthy, Ulrike Helzel, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Christian Thielemann has a tempo of 104 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Gotterdammerung (Twilight of the Gods): Act I Scene 3: Altgewohntes Gerausch raunt meinem Ohr die Ferne (Brunnhilde, Waltraute) being at 104 BPM, the half-time would be 52 BPM with a double-time of 208 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tristan und Isolde, WWV 90: Prelude To Act I | Richard Wagner, Gewandhausorchester Leipzig, Andris Nelsons | A Minor | 1 | 8A | 79 BPM | ||
Toccata | Johann Sebastian Bach, Symphonica Orchestra, Leopold Stokowski | D Major | 2 | 10B | 130 BPM | ||
Die Walkürie (The Valkyrie), Act 3: Ride of the Valkyries | London Philharmonic Orchestra | B Major | 4 | 1B | 95 BPM | ||
4 Dance Episodes from Rodeo: II. Corral Nocturne | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 92 BPM | ||
Pelléas et Mélisande, Op.80: 6. Molto adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | D Minor | 0 | 7A | 82 BPM | ||
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | ||
Hary Janos Suite: Háry János Suite: V. Intermezzo | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | D Minor | 1 | 7A | 109 BPM | ||
Carmina Burana / Uf dem Anger: Dance | Carl Orff, Orchester der Deutschen Oper Berlin, Eugen Jochum | F Major | 2 | 7B | 139 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | E Major | 1 | 12B | 137 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: Der Held (The Hero) - | Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink | E♭ Major | 2 | 5B | 88 BPM |
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