Georges Bizet, Teresa Berganza, Alicia Nafé, Yvonne Kenny, Gordon Sandison, Geoffrey Pogson, London Symphony Orchestra, Claudio Abbado, Ambrosian Singers, John McCarthy made "Carmen, WD 31 / Act III: "Quant au douanier, c'est notre affaire!"" available on January 1, 1978. The duration of Carmen, WD 31 / Act III: "Quant au douanier, c'est notre affaire!" is about 3 minutes long, at 3:08. Based on our data, "Carmen, WD 31 / Act III: "Quant au douanier, c'est notre affaire!"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 49 in Bizet: Carmen by Georges Bizet, Teresa Berganza, Plácido Domingo, Ileana Cotrubas, Sherrill Milnes, Ambrosian Singers, London Symphony Orchestra, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Carmen, WD 31 / Act III: "Quant au douanier, c'est notre affaire!" is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Carmen, WD 31 / Act III: "Quant au douanier, c'est notre affaire!" by Georges Bizet, Teresa Berganza, Alicia Nafé, Yvonne Kenny, Gordon Sandison, Geoffrey Pogson, London Symphony Orchestra, Claudio Abbado, Ambrosian Singers, John McCarthy is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM | ||
Le docteur Miracle: Scene 4: Allons, tu as des connaissances tres variees (Le Podestat, Pasquin) | Ludovic Halévy, Georges Bizet, Leon Battu, Marie-Bénédicte Souquet, Isabelle Druet, Jerome Billy, Pierre-Yves Pruvot, Orchestre Lyrique de Region Avignon-Provence, Samuel Jean | C Major | 1 | 8B | 133 BPM | ||
Carmen Fantasy, Op. 25: I. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | D Major | 1 | 10B | 89 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.1 in C (Presto) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 106 BPM | ||
Bizet: Carmen: No. 1 Prélude | Georges Bizet, Michel Plasson, Orchestre National Du Capitole De Toulouse, Wolff | D Minor | 3 | 7A | 129 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Carmen, Act I: No.3 bis Récit: C'est bien là, n'est-ce pas? (Zuniga/Don José) | Georges Bizet, Nicolas Cavallier, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | G Major | 1 | 9B | 84 BPM | ||
Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
Hungarian Dances, WoO 1: No. 1 in G Minor | Johannes Brahms, Cristian Mandeal, George Enescu Philharmonic Orchestra, Bucharest | G Minor | 2 | 6A | 73 BPM | ||
Carmen, WD 31 (Highlights Sung in German): Euren Toast kann ich wohl erwidern | Georges Bizet, Helena Rott, Elfriede Trötschel, Elisabeth Höngen, Jan Rittel, Josef Hermann, Saxon State Opera Chorus, Dresden, Staatskapelle Dresden, Karl Böhm | F♯ Major | 4 | 2B | 109 BPM |
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