Carmen, Act I: No.3 bis Récit: C'est bien là, n'est-ce pas? (Zuniga/Don José)
Georges Bizet, Nicolas Cavallier, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse
Bizet : Carmen
1:21 2003
BPM
84
Key
G Major
Camelot
9B

Embed

Share Link

Carmen, Act I: No.3 bis Récit: C'est bien là, n'est-ce pas? (Zuniga/Don José) - Georges Bizet, Nicolas Cavallier, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse Information

Acousticness
98%
Danceability
52%
Energy
14%
Instrumentalness
0%
Liveness
40%
Loudness
64%
Speechiness
17%
Valence
39%
Popularity
Loudness
-21.551 dB

Summary

Georges Bizet, Nicolas Cavallier, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse's 'Carmen, Act I: No.3 bis Récit: C'est bien là, n'est-ce pas? (Zuniga/Don José)' came out on 2003. With Carmen, Act I: No.3 bis Récit: C'est bien là, n'est-ce pas? (Zuniga/Don José) being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 68 in Bizet : Carmen by Georges Bizet, Angela Gheorghiu, Michel Plasson. Carmen, Act I: No.3 bis Récit: C'est bien là, n'est-ce pas? (Zuniga/Don José) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Carmen, Act I: No.3 bis Récit: C'est bien là, n'est-ce pas? (Zuniga/Don José) BPM

The tempo marking of Carmen, Act I: No.3 bis Récit: C'est bien là, n'est-ce pas? (Zuniga/Don José) by Georges Bizet, Nicolas Cavallier, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Carmen, Act I: No.3 bis Récit: C'est bien là, n'est-ce pas? (Zuniga/Don José) Key

This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Die Fledermaus / Act II: Nr. 10 Csárdás: Die Fledermaus / Act II: Nr. 10 Csárdás: "Klänge der Heimat"Johann Strauss II, Julia Varady, Bavarian State Orchestra, Carlos KleiberD Major210B82 BPM
Bizet: Carmen: Votre toast, je peux vous le rendre: Toreador Song - Act Two by Georges Bizet, José van Dam, Covent Garden Chorus, Shirley Verrett, Richard van Allan, Teresa Cahill, Anne Pashley, Sir Georg SoltiBizet: Carmen: Votre toast, je peux vous le rendre: Toreador Song - Act TwoGeorges Bizet, José van Dam, Covent Garden Chorus, Shirley Verrett, Richard van Allan, Teresa Cahill, Anne Pashley, Sir Georg SoltiC Major38B106 BPM
Verdi: Aida, Act 4, Scene 2: Verdi: Aida, Act 4, Scene 2: "Vedi? Di morte l'angelo radiante a noi s'appressa" (Aida, Coro, Radamès)Giuseppe Verdi, Riccardo Muti, Chorus of the Royal Opera House, Covent Garden, Montserrat Caballé, Plácido Domingo, New Philharmonia OrchestraC Major38B136 BPM
Les Pêcheurs de perles, Act I: Je crois entendre encore (Nadir) by Georges Bizet, Alain Vanzo, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera OrchestraLes Pêcheurs de perles, Act I: Je crois entendre encore (Nadir)Georges Bizet, Alain Vanzo, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera OrchestraA Minor18A86 BPM
Verdi: Messa da Requiem: II. Sequence, 8. Ingemisco (Tenor) by Giuseppe Verdi, Roberto Alagna, Claudio Abbado, Berliner PhilharmonikerVerdi: Messa da Requiem: II. Sequence, 8. Ingemisco (Tenor)Giuseppe Verdi, Roberto Alagna, Claudio Abbado, Berliner PhilharmonikerC Minor15A172 BPM
Don Giovanni / Act 1: Don Giovanni / Act 1: "Fin ch'han dal vino"Wolfgang Amadeus Mozart, Tom Krause, Vienna Haydn Orchestra, István KertészF Major67B118 BPM
Die Meistersinger von Nürnberg, WWV 96 / Act III: Die Meistersinger von Nürnberg, WWV 96 / Act III: "Morgenlich leuchtend"Richard Wagner, Plácido Domingo, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen JochumC Major28B135 BPM
Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Drig, drig, drig Choeurs/Nathanaël/Hermann/Luther) by Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du ConservatoireLes Contes d'Hoffmann (1989 Digital Remaster), Act I: Drig, drig, drig Choeurs/Nathanaël/Hermann/Luther)Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du ConservatoireE Major112B165 BPM
Faust, CG 4 / Act 3: Faust, CG 4 / Act 3: "Salut! demeure chaste et pure"Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel VillaumeA♭ Major24B109 BPM
Don Giovanni, K.527, Act I, Scena seconda: Ah, chi si dice mai by Wiener Philharmoniker, Carol Vaness, William Shimell, Samuel Ramey, Riccardo MutiDon Giovanni, K.527, Act I, Scena seconda: Ah, chi si dice maiWiener Philharmoniker, Carol Vaness, William Shimell, Samuel Ramey, Riccardo MutiB♭ Major16B67 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7693216800689697

End: 0.7726047039031982