Gaetano Donizetti, Valery Gergiev, Dmitry Voropaev, Vladislav Sulimsky, Piotr Beczala, Ilya Bannik, Mariinsky Chorus, Mariinsky Orchestra's 'Lucia di Lammermoor, Act II, Scene II: No. 10a Seguito e Stretta del Finale II "T'allontana, sciagurato"' came out on July 25, 2011. With Lucia di Lammermoor, Act II, Scene II: No. 10a Seguito e Stretta del Finale II "T'allontana, sciagurato" being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 33 in Donizetti: Lucia di Lammermoor by Gaetano Donizetti, Natalie Dessay, Valery Gergiev, Vladislav Sulimsky, Piotr Beczala, Ilya Bannik, Mariinsky Orchestra, Mariinsky Chorus. Lucia di Lammermoor, Act II, Scene II: No. 10a Seguito e Stretta del Finale II "T'allontana, sciagurato" is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Lucia di Lammermoor, Act II, Scene II: No. 10a Seguito e Stretta del Finale II "T'allontana, sciagurato" by Gaetano Donizetti, Valery Gergiev, Dmitry Voropaev, Vladislav Sulimsky, Piotr Beczala, Ilya Bannik, Mariinsky Chorus, Mariinsky Orchestra is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Poliuto (1997 Digital Remaster), ATTO PRIMO, Scena prima: In fiamma quest'alma (Poliuto/Nearco/Christiani) | Gaetano Donizetti, Salvatore Cammarano, Franco Corelli, Piero de Palma, Virgilio Carbonari, Giuseppe Morresi, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | E Major | 5 | 12B | 105 BPM | ||
Lucia di Lammermoor / Act 3: "Spargi d'amore pianto" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 1 | 8B | 126 BPM | ||
Tosca | Renata Tebaldi, Chorus and Orchestra of the Accademia di Santa Cecilia, Rome, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
La Cenerentola / Act 2: "Son qui" | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Gloria Banditelli, Fernanda Costa, Enzo Dara, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E♭ Major | 1 | 5B | 122 BPM | ||
Wesendonck Lieder, WWV 91: Der Engel | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | G Major | 2 | 9B | 126 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | F♯ Minor | 1 | 11A | 79 BPM | ||
Turandot: Act I: Non piangere, Liù! | Giacomo Puccini, Masako Deguci, Giovanna Casolla, Lando Bartolini, Gorka Gerrikabeitia, Francisco Heredia, Javier Mas, Vicenc Esteve, Armando Ariostini, Jose Garcia-Quijada, Felipe Bou, Bilbao Choral Society, Malaga Philharmonic Orchestra, Alexander Rahbari | D Major | 2 | 10B | 125 BPM | ||
Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 1 | 6A | 79 BPM | ||
Linda di Chamounix, A. 62, Act I Scene 5: La figlia mia, quell'angelo | Gaetano Donizetti, Vittorio Prato, Michele Pertusi, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | E Minor | 2 | 9A | 81 BPM | ||
L'elisir d'amore / Act 1: "Or se m'ami, come io t'amo...Intanto, o mia ragazza" | Gaetano Donizetti, Dominic Cossa, Dame Joan Sutherland, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | F Major | 3 | 7B | 132 BPM |
Section: 0.780872106552124
End: 0.7865548133850098