"Coriolan Op.62" by Radio Symphony Orchestra Ljubljana, Anton Nanut was released on July 1, 1995. Since Coriolan Op.62 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Alfred Scholz, Radio Symphony Orchestra Ljubljana, Anton Nanut, London Philharmonic Orchestra's "More Famous Overtures" album is number 2 out of 7. Coriolan Op.62 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Coriolan Op.62 by Radio Symphony Orchestra Ljubljana, Anton Nanut to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Planets, Op. 32: I. Mars, The Bringer Of War | Gustav Holst, Philharmonia Orchestra, John Eliot Gardiner | C Major | 4 | 8B | 137 BPM | ||
Gianni Schicchi: O Mio Babbino Caro | Yvonne Kenny | A♭ Major | 1 | 4B | 71 BPM | ||
Bridal March from "Lohengrin" (Here Comes the Bride) | Radio Symphony Orchestra Ljubljana | D Minor | 3 | 7A | 92 BPM | ||
Perpetuum Mobile, Op. 257 | Johann Strauss II, Carl Michalski, Vienna Volksoper Orchestra | E♭ Major | 2 | 5B | 157 BPM | ||
Khovanshchina: Dawn on the Moskva River | Modest Mussorgsky, George Szell, Cleveland Orchestra | F♯ Major | 1 | 2B | 99 BPM | ||
Chopin: Nocturne No. 15 in F Minor, Op. 55 No. 1 | Frédéric Chopin, Elisabeth Leonskaja | F Minor | 0 | 4A | 70 BPM | ||
Dukas: L'apprenti sorcier (Excerpt) | Paul Dukas, Oslo Philharmonic Orchestra, Mariss Jansons | D♭ Major | 5 | 3B | 117 BPM | ||
Liebestraume, S541/R211: No. 3. Nocturne in A flat major: Liebestraume (Dream of Love), S541/R211: No. 3. Nocturne in A flat major | Franz Liszt, Peter Szokolay | A♭ Major | 1 | 4B | 76 BPM | ||
Concerto for Trumpet and Orchestra in E-Flat Major: III. Allegro vivace | Joseph Haydn, Crispian Steele-Perkins, English Chamber Orchestra | G Major | 0 | 9B | 110 BPM | ||
Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity (Excerpt) | Gustav Holst, Philharmonia Orchestra, Sir Simon Rattle | C Minor | 3 | 5A | 127 BPM |
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