Johann Strauss II, Carl Michalski, Vienna Volksoper Orchestra made "Perpetuum Mobile, Op. 257" available on January 1, 2009. The duration of Perpetuum Mobile, Op. 257 is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Perpetuum Mobile, Op. 257's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Strauss II, Carl Michalski, Vienna Volksoper Orchestra's "Great Strauss Waltzes, Polkas & Marches: Carl Michalski & The Viennese Folk Opera Orchestra" album is number 4 out of 32. Based on our statistics, Perpetuum Mobile, Op. 257's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Perpetuum Mobile, Op. 257 by Johann Strauss II, Carl Michalski, Vienna Volksoper Orchestra to be Vivace (lively and fast) because the track has a tempo of 157 BPM, a half-time of 78BPM, and a double-time of 314 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Moment Musical in F Minor, Op. 94, No. 3, D. 780 (arr. for chamber ensemble) | Anonymous , Franz Schubert, Budapest Strings, Bela Banfalvi | F Minor | 0 | 4A | 101 BPM | ||
Má vlast (My Country): No. 3, Šárka | Bedřich Smetana, Polish National Radio Symphony Orchestra, Antoni Wit | A Major | 1 | 11B | 95 BPM | ||
Grieg: Piano Concerto In A Minor | London Festival Orchestra | A Minor | 1 | 8A | 121 BPM | ||
Love Songs Waltz, Op. 11: Liebeslieder | Orchestra of the Viennese Volksoper & Alfred Scholz | D Major | 1 | 10B | 191 BPM | ||
Suite from "The Gadfly", Op. 97a: VIII. Romance | Ivan Peev, Sofia Symphony Orchestra | D♭ Major | 1 | 3B | 106 BPM | ||
Wo die Zitronen blüh'n, Walzer, Op. 364 | Johann Strauss II, Zubin Mehta, Wiener Philharmoniker | G Major | 1 | 9B | 95 BPM | ||
L'Italiana in Algeri (The Italian Girl in Algiers): L'italiana in Algeri (The Italian Girl in Algiers): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | C Major | 2 | 8B | 146 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.2 in E Minor (Allegretto scherzando) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 138 BPM | ||
Soirees musicales, Op. 9: III. Tirolese | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | A Major | 0 | 11B | 71 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM |
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