Peter Schmalfuss made "3 Pieces for Piano, op. 9: II. Polka de Salon" available on 1992. The duration of 3 Pieces for Piano, op. 9: II. Polka de Salon is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. 3 Pieces for Piano, op. 9: II. Polka de Salon's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 76 in the song's album "Peter Iljitsch Tchaikovsky - Symphonien, Balletmusiken, Konzerte". In this album, this song's track order is #20. 3 Pieces for Piano, op. 9: II. Polka de Salon is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With 3 Pieces for Piano, op. 9: II. Polka de Salon by Peter Schmalfuss having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Danza Española para violon y piano, Op. 26: No. 2, Habanera | Aaron Rosand, Peter Schmalfuss | G Major | 2 | 9B | 184 BPM | ||
Schwanengesang, D. 957: No. 4. Standchen (Leise flehen meine Lieder) (arr. Liszt) | Franz Liszt, Péter Nagy | D Major | 0 | 10B | 137 BPM | ||
Berceuse, op. 57, Des-Dur: Wiegenlied | Peter Schmalfuss | D♭ Major | 0 | 3B | 94 BPM | ||
Valse pour piano, Ges-Dur: La plus que lente | Peter Schmalfuss | E♭ Minor | 0 | 2A | 73 BPM | ||
Concerto No. 26 in D Major for Piano and Orchestra, K. 537, "Coronation": II. (Larghetto) | Carmen Piazzini | A Major | 0 | 11B | 94 BPM | ||
Goldberg Variations, BWV 988: Aria | Johann Sebastian Bach, Andrei Gavrilov | A♭ Minor | 5 | 1A | 180 BPM | ||
3 Gnossiennes: Gnossienne No.3 | Erik Satie, Roland Pöntinen | A Minor | 0 | 8A | 67 BPM | ||
Polonaise, op. 53, As-Dur: Maestoso | Peter Schmalfuss | A♭ Major | 1 | 4B | 102 BPM | ||
6 Impromptus, Op. 5: Impromptu V | Jean Sibelius, Leif Ove Andsnes | B Minor | 0 | 10A | 72 BPM | ||
Danza Española para violon y piano, Op. 22: No. 2, Jota Navarra | Aaron Rosand, Peter Schmalfuss | D Major | 3 | 10B | 112 BPM |
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