"Valse pour piano, Ges-Dur: La plus que lente" by Peter Schmalfuss was released on January 1, 1991. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Earthboy, Various Artists's "Gustav Mahler: Der Titan - Claude Debussy: La Mer" album is number 13 out of 18. Valse pour piano, Ges-Dur: La plus que lente is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Valse pour piano, Ges-Dur: La plus que lente by Peter Schmalfuss to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Deux Arabesques: No. 2 in G Major | Peter Schmalfuss | G Major | 1 | 9B | 70 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Standchen (From "Schwanengesang") (Schubert - Liszt) | Anna Malikova | D Major | 0 | 10B | 60 BPM | ||
Waltzes, Op. 39: Waltz Nr. 15 in A-Flat Major | Johannes Brahms, Karin Lechner | C Minor | 1 | 5A | 121 BPM | ||
Gnossienne No.1: Avec etonnement | Erik Satie, Klara Kormendi | F Major | 0 | 7B | 74 BPM | ||
Gnossienne No. 5: 5ieme Gnossienne. Modere | Erik Satie, Klara Kormendi | G Major | 1 | 9B | 73 BPM | ||
Prelude für Klavier in E Minor, Op. 28, Nr. 4 | Sylvia Capova | A Minor | 0 | 8A | 126 BPM | ||
Douze études, Op. 25: No. 1 in A-Flat Major "Aeolian Harp" | Giovanni Umberto Battel | A♭ Major | 0 | 4B | 94 BPM | ||
Piano Sonata No. 2 in B Minor, Op. 35: III. Marche funèbre: Lento | Vitalij Margulis | D♭ Major | 0 | 3B | 105 BPM | ||
Keyboard Sonata in B Minor, K.197/L.147/P.124: Andante | Domenico Scarlatti, Yevgeny Sudbin | B Minor | 0 | 10A | 93 BPM |
Section: 0.6381652355194092
End: 0.6491875648498535