Peter Schmalfuss's 'Deux Arabesques: No. 2 in G Major' came out on January 1, 2009. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 13 in Debussy: Suite Bergamasque - Prelude "La Cathedral" - Children's Corner - Arabesques by Peter Schmalfuss. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Deux Arabesques: No. 2 in G Major is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Deux Arabesques: No. 2 in G Major by Peter Schmalfuss is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Danza Española para violon y piano, Op. 22: No. 2, Jota Navarra | Aaron Rosand, Peter Schmalfuss | D Major | 3 | 10B | 112 BPM | ||
Prelude Op.11-4 E Minor | Sylvia Capova, Peter Schmalfuss, Josef Bulva, Leonard Hokanson, Marian Pivka, Dieter Goldmann | A Minor | 0 | 8A | 114 BPM | ||
Waltzes, D. 365: Nos. 1, 2, 6, 10, 14, 16 | Franz Schubert, Peter Schmalfuss | A♭ Major | 1 | 4B | 101 BPM | ||
Trois mouvements perpétuels, FP 14: II. Très modéré | Francis Poulenc | D Minor | 1 | 7A | 100 BPM | ||
Etude-fantasie in E-Flat Major, Op. 4, "Les Vagues" | Vladimir Horowitz, Valery Kuleshov | G Minor | 1 | 6A | 67 BPM | ||
Clarinet Concerto in B-Flat Major: Andante sostenuto | Gaetano Donizetti, Camerata De Budapest, Laszlo Kovacs | B♭ Minor | 0 | 3A | 69 BPM | ||
Le Festin D'Esope Op. 39 No. 12 | Charles-Valentin Alkan, Igor Roma | E Minor | 2 | 9A | 138 BPM | ||
Berceuse, S174b/R57b (2nd version) | Franz Liszt, Jenő Jandó | D♭ Major | 0 | 3B | 66 BPM | ||
" Le Cygne " - Der Schwan aus " Carneval der Tiere " | Peter Schmalfuss | B Major | 1 | 1B | 64 BPM | ||
Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 135 BPM |
Section: 0.7990028858184814
End: 0.8027858734130859