"Gianni Schicchi: "O mio babbino caro" (Lauretta) - Full Vocal Version" by Giacomo Puccini, Compagnia D'Opera Italiana, Antonello Gotta, Linda Campanella was released on 1997. The duration of Gianni Schicchi: "O mio babbino caro" (Lauretta) - Full Vocal Version is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Gianni Schicchi: "O mio babbino caro" (Lauretta) - Full Vocal Version's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 14 in Cantolopera: Soprano Arias, Vol. 1 by Angela Venturino, Antonello Gotta, Compagnia D'Opera Italiana. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Gianni Schicchi: "O mio babbino caro" (Lauretta) - Full Vocal Version is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gianni Schicchi: "O mio babbino caro" (Lauretta) - Full Vocal Version by Giacomo Puccini, Compagnia D'Opera Italiana, Antonello Gotta, Linda Campanella is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Madama Butterfly (1986 - Remaster), Act I: Bimba dagli occhi pieni di malìa | Giacomo Puccini, Renata Scotto, Carlo Bergonzi, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | D Major | 6 | 10B | 107 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Contes d'Hoffmann: Les oiseaux dans la charnille | Jacques Offenbach, Olga Peretyatko, Miguel Gomez-Martinez | B♭ Major | 2 | 6B | 96 BPM | ||
Mozart: Don Giovanni: La ci darem la mano | Nicolai Ghiaurov, Mirella Freni | B♭ Major | 2 | 6B | 91 BPM | ||
The Kiss (Hubicka) - Opera in 2 Acts: Lullaby | Bedřich Smetana, Renée Fleming, Philharmonia Orchestra, Sebastian Lang-Lessing | A Major | 1 | 11B | 75 BPM | ||
J.S. Bach: J.S. Bach: Orchestral Suite No. 3 in D Major, BWV 1068: 2. Air | Johann Sebastian Bach, Orpheus Chamber Orchestra | D Major | 3 | 10B | 65 BPM | ||
Turandot, SC 91 / Act 3: Nessun dorma | Giacomo Puccini, Freddie De Tommaso, Apollo Voices, Philharmonia Orchestra, Paolo Arrivabeni | D Major | 2 | 10B | 71 BPM | ||
Suor Angelica: O sorelle in pio lavoro | Giacomo Puccini, Isobel Buchanan, Dame Joan Sutherland, Elizabeth Connell, Miriam Bowen, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 1 | 3B | 91 BPM | ||
Die tote Stadt / Act 1: Glück, das mir verblieb (Mariettalied) | Erich Wolfgang Korngold, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | B♭ Major | 1 | 6B | 88 BPM | ||
Puccini: La rondine, Act 1: "Chi il bel sogno di Doretta" (Prunier, Magda) | Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, London Symphony Orchestra | C Minor | 3 | 5A | 64 BPM |
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