"Lakmé / Act 1: "Sous le dôme épais" (Flower Duet)" by Léo Delibes, Renée Fleming, Susan Graham, Philharmonia Orchestra, Sebastian Lang-Lessing was released on January 1, 2013. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Renée Fleming, Philharmonia Orchestra, Sebastian Lang-Lessing's "Guilty Pleasures" album is number 9 out of 17. Lakmé / Act 1: "Sous le dôme épais" (Flower Duet) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lakmé / Act 1: "Sous le dôme épais" (Flower Duet) by Léo Delibes, Renée Fleming, Susan Graham, Philharmonia Orchestra, Sebastian Lang-Lessing to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oblivion | Astor Piazzolla, Anne Gastinel, Sandrine Piau, Violoncelles de l’Orchestre National de France | F Minor | 2 | 4A | 90 BPM | ||
Vissi D'arte - Tosca Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
4 Lieder, Op. 27: 4. Morgen! | Richard Strauss, Jessye Norman, Gewandhausorchester Leipzig, Kurt Masur | G Major | 0 | 9B | 81 BPM | ||
Lorsque vous n'aurez rien à faire | Dawn Upshaw | G Major | 2 | 9B | 87 BPM | ||
Cendrillon: Ah! Douce enfant | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B Major | 0 | 1B | 91 BPM | ||
À Chloris | Reynaldo Hahn, Susan Graham | E Major | 0 | 12B | 185 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Joseph Calleja, Academy of St. Martin in the Fields, Carlo Rizzi | B♭ Minor | 1 | 3A | 135 BPM | ||
Floresta do Amazonas: Sentimental Melody | Heitor Villa-Lobos, Renée Fleming, Moscow Physical & Engineering Institute Male Chorus, Moscow Radio Symphony Orchestra, Alfred Heller | A Minor | 2 | 8A | 93 BPM | ||
Die tote Stadt / Act I: Marietta's Lied - Live | Erich Wolfgang Korngold, Renée Fleming, The Metropolitan Opera, James Levine | C Minor | 2 | 5A | 83 BPM | ||
I puritani: Qui la voce sua soave | Vincenzo Bellini, Luba Orgonasova, Symfonický orchester Slovenského rozhlasu, Will Humburg | A♭ Major | 1 | 4B | 103 BPM |
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