"Lead, Kindly Light" by Arthur Sullivan, Kantos Chamber Choir, Ellie Slorach was released on March 6, 2020. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 21 in the song's album "The Long Day Closes: Sullivan Part Songs". In this album, this song's track order is #4. Based on our statistics, Lead, Kindly Light's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lead, Kindly Light by Arthur Sullivan, Kantos Chamber Choir, Ellie Slorach having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ruddigore: Dialogue: "Nay, gentle maidens" | Sir Arthur Sullivan, Arthur Sullivan, Ohio Light Opera, Michael Borowitz | B♭ Major | 0 | 6B | 129 BPM | ||
The Magic Flute, Act I: Have mercy, have mercy | Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra, Barry Banks, Majella Cullagh, Sarah Fox, Diana Montague | E♭ Major | 2 | 5B | 131 BPM | ||
Barber - Four songs, op. 13: Sure on this shining night | Samuel Barber, Barbara Bonney, Malcolm Martineau | G Minor | 1 | 6A | 89 BPM | ||
Ruddigore (or, The Witch's Curse) (1987 - Remaster), Act I: Fair is Rose as bright May day (Bridesmaids, Zorah) | Arthur Sullivan, Elizabeth Harwood/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra | G Major | 1 | 9B | 68 BPM | ||
Orphée aux enfers, ACT 1, Premier tableau: la campagne aux environs d'Athènes: Qui suis-je? Du théâtre antique (L'Opinion Publique) | Jacques Offenbach, Eva Podles/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | F Minor | 0 | 4A | 93 BPM | ||
Fantasia on British Sea Songs (excerpts): VI. See the Conquering Hero | Sir Henry Wood, Leeds Festival Chorus, English Northern Philharmonia, Paul Daniel | A Major | 0 | 11B | 72 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Quando rapito in estasi" (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Anna Maria Canali, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
"Comes the pretty young bride" - "'Tis said to you" - "Hold, pretty one!" | Arthur Sullivan, Margaret Eales, Elizabeth Harwood, Ann Hood, Gillian Knight, Philip Potter, Kenneth Sandford, John Reed, Donald Adams, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Sir Malcolm Sargent | E♭ Major | 2 | 5B | 87 BPM | ||
Mozart: Un moto di gioia, K. 579 | Wolfgang Amadeus Mozart, Kathleen Battle, Royal Philharmonic Orchestra, André Previn | G Major | 0 | 9B | 90 BPM | ||
5 Sonnets from "The Triumph of Love", Op. 82 (Version for Voice & Orchestra): No. 4, I Think that We Were Children | Charles Villiers Stanford, Sharon Carty, BBC Concert Orchestra, John Andrews | E Minor | 0 | 9A | 170 BPM |
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