"Annabel Lee (Arr. B. Hughes for Pierrot Quintet & Narrator)" by John Ireland, Alexander Armstrong, Orchestra of the Swan, Tom Hammond was released on February 7, 2020. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Not Now, Bernard & Other Stories". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Annabel Lee (Arr. B. Hughes for Pierrot Quintet & Narrator) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Annabel Lee (Arr. B. Hughes for Pierrot Quintet & Narrator) by John Ireland, Alexander Armstrong, Orchestra of the Swan, Tom Hammond having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Green Ways: III. The Palm and May | John Ireland, Mark Bebbington | D♭ Minor | 1 | 12A | 106 BPM | ||
My Love Dwelt in A Northern Land, Op. 18, No. 3 | Edward Elgar, musica intima | A Minor | 1 | 8A | 105 BPM | ||
Nicaea "Holy, Holy, Holy! Lord God Almighty!" | John Bacchus Dykes, Choir of St Mary's Cathedral, Edinburgh, Peter Backhouse, Dennis Townhill | D Major | 0 | 10B | 92 BPM | ||
Cantate Domino canticum novum | Hans Leo Hassler, Voices of Ascension Chorus, Dennis Keene | D Major | 1 | 10B | 128 BPM | ||
The St. Anthony Chorale | Johannes Brahms, Anthony Newman | D Major | 1 | 10B | 71 BPM | ||
4 Quartette, Op. 92: I. O schöne Nacht | Johannes Brahms, Orpheus Vokalensemble, Antonii Baryshevskyi, Michael Alber | E Minor | 1 | 9A | 95 BPM | ||
All Night Vigil, Op. 9: No. 18, Bless The Lord, O My Soul | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | C Major | 1 | 8B | 127 BPM | ||
Oedipus, Z.583: II. Music for a While | Henry Purcell, Musikhögskolans Kammarkör Piteå, Andrea Hagman, Erik Westberg | D♭ Major | 4 | 3B | 80 BPM | ||
Tallis: Sancte Deus - 1. Sancte Deus | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 104 BPM | ||
Jesu, Meine Freude BWV 227: Jesu, Meine Freude - Choral | Calmus Ensemble | D♭ Minor | 1 | 12A | 81 BPM |
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