"Nicaea "Holy, Holy, Holy! Lord God Almighty!"" by John Bacchus Dykes, Choir of St Mary's Cathedral, Edinburgh, Peter Backhouse, Dennis Townhill was released on October 10, 1991. The duration of Nicaea "Holy, Holy, Holy! Lord God Almighty!" is about 3 minutes long, at 3:19. Based on our data, "Nicaea "Holy, Holy, Holy! Lord God Almighty!"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 23 in Famous Hymns of Praise by Choir of St Mary's Cathedral, Edinburgh, Peter Backhouse, Dennis Townhill. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Nicaea "Holy, Holy, Holy! Lord God Almighty!" is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Nicaea "Holy, Holy, Holy! Lord God Almighty!" by John Bacchus Dykes, Choir of St Mary's Cathedral, Edinburgh, Peter Backhouse, Dennis Townhill is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wem In Leidenstagen "Glory Be to Jesus" | Friedrich Filitz, York Minster Choir, John Scott Whiteley, Philip Moore | G Major | 1 | 9B | 105 BPM | ||
Dear Lord And Father | The Choir of St. Mary's Episcopal Cathedral | E♭ Major | 1 | 5B | 81 BPM | ||
The Crucifixion: XVII. Chorus – The Appeal of the Crucified | John Stainer, Choir of St Mary's Cathedral, Edinburgh, Imogen Morgan, Duncan Ferguson | G Major | 1 | 9B | 139 BPM | ||
Preces | Gabriel Jackson, Choir of St Mary's Cathedral, Edinburgh, Matthew Owens | G Major | 1 | 9B | 99 BPM | ||
We Come to Your Feast | Michael Joncas | G Major | 3 | 9B | 98 BPM | ||
Inveni David | Anton Bruckner, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson | C Major | 0 | 8B | 79 BPM | ||
O, How I Love Jesus/Wonderful, Wonderful Jesus | Victory In Jesus! 32 Favorite Hymns And Gospel Songs Performers | A♭ Major | 3 | 4B | 81 BPM | ||
Christ Is Mine | Rejike | E♭ Minor | 1 | 2A | 94 BPM | ||
On This Day, O Beautiful Mother | Louis Lambillotte, WLP Choir | D Major | 2 | 10B | 98 BPM | ||
Grace of God | Jeff Lippencott, Ligonier Festival Orchestra | A Minor | 2 | 8A | 173 BPM |
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