"Roses from the South Op. 388" by Eric Hammerstein, Royal Philharmonic Orchestra was released on June 5, 2020. Since Roses from the South Op. 388 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 47 in the song's album "The Most Beautiful Waltz Music". In this album, this song's track order is #42. In terms of popularity, Roses from the South Op. 388 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Roses from the South Op. 388 by Eric Hammerstein, Royal Philharmonic Orchestra having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romeo and Juliet, Suite No.2 from the ballet, Op.64b: 1. Montagues & Capulets | Minnesota Orchestra, Stanisław Skrowaczewski | A Minor | 1 | 8A | 108 BPM | ||
Má vlast, JB 1:112: II. Vltava, "The Moldau" | Bedřich Smetana, Gustav Kuhn, Bamberg Symphony | C Major | 4 | 8B | 128 BPM | ||
The Sleeping Beauty, Op. 66: No. 7 Valse | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden | B♭ Major | 1 | 6B | 93 BPM | ||
Lohengrin, Act III: Prelude | Richard Wagner, Budapest Symphony Orchestra, György Lehel | G Major | 2 | 9B | 79 BPM | ||
Grande Valse Brillante, Op. 18, No. 1 in E-Flat Major | Frédéric Chopin, Lang Lang | G Major | 0 | 9B | 148 BPM | ||
Estudiantina, Waltz, Op. 191 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 2 | 10B | 99 BPM | ||
Of Thee I Sing | Eric Hammerstein, London Promenade Orchestra | C Major | 2 | 8B | 169 BPM | ||
Le barbier de Séville Largo al factotum - Instrumental Version | Arthur Fiedler, Boston Pops Orchestra | C Major | 4 | 8B | 77 BPM | ||
Leise flehen meine Lieder, D. 957 | Slovak Philharmonic, Bohdan Warchal | D Major | 1 | 10B | 123 BPM | ||
Waltz From "Eugene Onegin" | Royal Philharmonic Orchestra | D Major | 2 | 10B | 117 BPM |
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