"De Blin' Man Stood on De Road an' Cried (arr. H.T. Burleigh for voice and piano)" by Harry Burleigh, Traditional, Lester Lynch, Victor Simonson was released on February 3, 2017. The duration of De Blin' Man Stood on De Road an' Cried (arr. H.T. Burleigh for voice and piano) is about 3 minutes long, at 3:23. Based on our data, "De Blin' Man Stood on De Road an' Cried (arr. H.T. Burleigh for voice and piano)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 25 in the song's album "On My Journey Now: Spirituals & Hymns". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, De Blin' Man Stood on De Road an' Cried (arr. H.T. Burleigh for voice and piano)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With De Blin' Man Stood on De Road an' Cried (arr. H.T. Burleigh for voice and piano) by Harry Burleigh, Traditional, Lester Lynch, Victor Simonson having a BPM of 149 with a half-time of 74 BPM and a double-time of 298 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aquel Sombrero de Monte | Fernando Obradors, Pilar Lorengar, Miguel Zanetti | F Major | 0 | 7B | 84 BPM | ||
Ethiopia Saluting the Colors | Harry Burleigh, James Martin, Lynn Raley | D Minor | 1 | 7A | 77 BPM | ||
Mass A Theatre Piece for Singers, Players and Dancers I: I. Devotions before Mass: 1. Antiphon: Kyrie eleison | Leonard Bernstein | G Major | 1 | 9B | 129 BPM | ||
A Child of our Time, Part I: Is evil then good? (Alto, Chorus) | Michael Tippett, Sarah Connolly, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Considering Matthew Shepard: Passion, 9. A Protestor | Craig Hella Johnson, Conspirare | B♭ Minor | 1 | 3A | 95 BPM | ||
Sonder | Nasir | C Major | 1 | 8B | 61 BPM | ||
Do Not Go My Love | Charlotte Hoather | F♯ Minor | 1 | 11A | 89 BPM | ||
La mi sola, Laureola… | Maria Bayo, J.A. Alvarez-Parejo | A Major | 0 | 11B | 167 BPM | ||
Messa di Gloria: VI. Domine Deus | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Orfeó Català, Pablo Larraz | F Major | 0 | 7B | 83 BPM | ||
Evensong | Liza Lehmann, Steuart Bedford, Catherine Wyn-Rogers | A♭ Major | 0 | 4B | 75 BPM |
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