"Aquel Sombrero de Monte" by Fernando Obradors, Pilar Lorengar, Miguel Zanetti was released on 2000. The duration of Aquel Sombrero de Monte is about 3 minutes long, at 3:16. Based on our data, "Aquel Sombrero de Monte" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 21 out of 21 in Damas del Canto (Vol. II) by Orquesta Sinfónica de RTVE, Coro de RTVE & Miguel Zanetti. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Aquel Sombrero de Monte is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Aquel Sombrero de Monte by Fernando Obradors, Pilar Lorengar, Miguel Zanetti is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 1, Der Engel | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM | ||
Die verkaufte Braut (2007 Remaster), Akt 3: Endlich allein (Rezitativ: Marie) | Bedřich Smetana, Pilar Lorengar/Fritz Wunderlich/Gottlob Frick/Bamberger Symphoniker/Rudolf Kempe, Rudolf Kempe, Bamberg Symphony | G Major | 5 | 9B | 112 BPM | ||
Strauss, R: 5 Lieder, Op. 48: No. 4, Winterweihe | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Requiem: Pie Jesu | Matthew Coleridge, The Choir of Royal Holloway, Rupert Gough, Simon Earl, Southern Sinfonia, Maxim Calver, Karin Dahlberg | G Major | 3 | 9B | 156 BPM | ||
Die verkaufte Braut (2007 Remaster), Akt 2: Wie schäumst du in den Gläsern (Chor: Hans - Kezal - Chor) | Bedřich Smetana, Pilar Lorengar/Fritz Wunderlich/Gottlob Frick/Bamberger Symphoniker/Rudolf Kempe, Rudolf Kempe, Bamberg Symphony | G Major | 5 | 9B | 112 BPM | ||
L'horizon chimérique, Op. 118: No. 4, Vaisseaux, nous vous aurons aimés | Gabriel Fauré, Stéphane Degout, Alain Planès | D Major | 2 | 10B | 127 BPM | ||
Canciones clásicas españolas - arranged by Juan Carlos Cuello: El vito | Fernando Jaumandreu Obradors, Elina Garanca, José Maria Gallardo del Rey, Karel Mark Chichon, Orchestra Sinfonica Nazionale Della RAI | A Minor | 2 | 8A | 111 BPM | ||
Puts: The Hours, Act 2: "Mm... ’Stead of Jousting You’d Rather…" (Mrs. Latch, Richie, Laura, Clarissa, Virginia, Leonard, Nelly) [Live] | Kevin Puts, Yannick Nézet-Séguin, Eve Gigliotti, Joyce DiDonato, Kai Edgar, Kathleen Kim, Kelli O'Hara, Renée Fleming, Sean Panikkar, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | ||
Lasciatemi morire! | Claudio Monteverdi, Holly Bewlay, Sarah Rhee | D Minor | 1 | 7A | 83 BPM | ||
Sadko, Scene 4: Song of the Hindu Merchant (Hindu Merchant) | Nikolai Rimsky-Korsakov, Gennady Rozhdestvensky, Philharmonia Orchestra, Sergej Larin | D Major | 2 | 10B | 99 BPM |
Section: 1.068488597869873
End: 1.0734107494354248