"L'horizon chimérique, Op. 118: No. 4, Vaisseaux, nous vous aurons aimés" by Gabriel Fauré, Stéphane Degout, Alain Planès had its release date on May 17, 2024. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. L'horizon chimérique, Op. 118: No. 4, Vaisseaux, nous vous aurons aimés's duration is considered a little bit shorter than the average duration of a typical track. The song is number 29 out of 29 in Fauré: La Bonne Chanson - L'Horizon chimérique - Ballade - Mélodies by Gabriel Fauré, Stéphane Degout, Alain Planès. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, L'horizon chimérique, Op. 118: No. 4, Vaisseaux, nous vous aurons aimés's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'horizon chimérique, Op. 118: No. 4, Vaisseaux, nous vous aurons aimés by Gabriel Fauré, Stéphane Degout, Alain Planès is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Donizetti: Anna Bolena, Act 2: "Cielo, a'miei lunghi spasimi" (Anna, Percy, Rochefort, Smeton) | Gaetano Donizetti, Diana Damrau, Domenico Pellicola, Fabrizio Beggi, Sara Rocchi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 0 | 9B | 82 BPM | ||
Liebeslieder-Walzer, Op. 52: No. 3, O, die Frauen | Johannes Brahms, RIAS Kammerchor, Justin Doyle, Angela Gassenhuber, Philip Mayers | D Major | 3 | 10B | 124 BPM | ||
Le Sable du Sablier: II. Fête | Claude Arrieu, Marielou Jacquard, Flore Merlin | B Minor | 2 | 10A | 79 BPM | ||
Fausto, Act I: Introduzione. Tutte volsi e rivolsi | Louise Bertin, Karine Deshayes, Les Talens Lyriques, Christophe Rousset | D Major | 4 | 10B | 95 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): VI. Chanson de Melisande - Molto lento | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
Fauré: 2 Mélodies, Op. 4: No. 2, Lydia | Gabriel Fauré, Véronique Gens, Roger Vignoles | E♭ Minor | 1 | 2A | 123 BPM | ||
Dispersed And Transcendental Chants, Op. 18: Chant 8. The Word | Julián De La Chica, Briana Hunter, Eric Sedgwick | G Minor | 0 | 6A | 75 BPM | ||
3 Songs, Op. 110: No. 2, Syyslaulu | Oskar Merikanto, Waltteri Torikka, Marko Hilpo | F Major | 1 | 7B | 166 BPM | ||
Schubert: Winterreise, Op. 89, D. 911: No. 15, Die Krähe | Franz Schubert, Joyce DiDonato, Yannick Nézet-Séguin | F Minor | 0 | 4A | 168 BPM | ||
Dhabitude | Channing Geoffrey | E Minor | 2 | 9A | 107 BPM |