Paul Hindemith, Stathis Karapanos, Philippe Bernold made "Kanonische Sonatine, Op. 31 No. 3: III. Presto" available on May 3, 2024. With Kanonische Sonatine, Op. 31 No. 3: III. Presto being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Paul Hindemith, Stathis Karapanos's "Hindemith: Complete Works for Flute" album is number 17 out of 20. On top of that, Finland appears to be the country where this track was created. Based on our statistics, Kanonische Sonatine, Op. 31 No. 3: III. Presto's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Kanonische Sonatine, Op. 31 No. 3: III. Presto by Paul Hindemith, Stathis Karapanos, Philippe Bernold to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ravel: Ma mère l'oye, M. 60: I. Pavane de la Belle au bois dormant | Maurice Ravel, Rotterdam Philharmonic Orchestra/Yannick Nézet-Séguin, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A Minor | 0 | 8A | 65 BPM | ||
Lutoslawski : Concerto for Orchestra : I Intrada - Allegro maestoso | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Minor | 1 | 11A | 128 BPM | ||
Symphony No. 5: II. Scherzo. Presto misterioso | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | C Minor | 1 | 5A | 123 BPM | ||
String Quintet In C, D. 956: 3. Scherzo (Presto) - Trio (Andante sostenuto) | Franz Schubert, Mstislav Rostropovich, Emerson String Quartet | C Major | 2 | 8B | 107 BPM | ||
String Quartet No. 1 "Kreutzer Sonata": String Quartet No. 1 "Kreutzer Sonata": II. Con moto | Leoš Janáček, Melos Quartet | F♯ Major | 1 | 2B | 125 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Dance Preludes *: No. 3. Allegro giocoso | Witold Lutosławski, Charles West, Susan Grace | B♭ Minor | 2 | 3A | 95 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): IV. Giga: Vivace assai | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | E Minor | 0 | 9A | 121 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
Játékok / 3.: 39. Hommage à Christian Wolff (Félálomban) | György Kurtág | D Minor | 0 | 7A | 141 BPM |
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