"Játékok / 3.: 39. Hommage à Christian Wolff (Félálomban)" by György Kurtág was released on August 11, 1997. With Játékok / 3.: 39. Hommage à Christian Wolff (Félálomban) being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in György Kurtág, Márta Kurtág, Johann Sebastian Bach's "Kurtág, Bach: Játékok" album is number 7 out of 34. Based on our statistics, Játékok / 3.: 39. Hommage à Christian Wolff (Félálomban)'s popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Játékok / 3.: 39. Hommage à Christian Wolff (Félálomban) by György Kurtág to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | ||
Scènes d'enfants: I. Cris dans la rue | Federico Mompou, Arcadi Volodos | C Major | 0 | 8B | 125 BPM | ||
Douze Notations Pour Piano (1945): Hiératique | Pierre Boulez, Pi-hsien Chen | G Major | 0 | 9B | 84 BPM | ||
Les Ombres errantes: 25ème ordre, 4ème livre | François Couperin, Iddo Bar-Shaï | C Minor | 0 | 5A | 75 BPM | ||
Four Fairy Tales (Skazki), Op.26: No.3 In F Minor | Nikolai Medtner, Anna Gourari | F Minor | 0 | 4A | 62 BPM | ||
Tristan: I. Prologue | Hans Werner Henze, Igor Levit, Franz Welser-Möst, Gewandhausorchester | E Minor | 0 | 9A | 94 BPM | ||
Menuets I & II | Jean-Philippe Rameau, Víkingur Ólafsson | G Major | 1 | 9B | 79 BPM | ||
Children's Corner, L. 113: IV. The Snow Is Dancing | Claude Debussy, Víkingur Ólafsson | G Major | 1 | 9B | 61 BPM | ||
Symphony, Op. 21: I. Ruhig, schreitend | Anton Webern, Twentieth Century Classics Ensemble, Robert Craft | G Major | 0 | 9B | 78 BPM | ||
Phrygian Gates, Pt. 3 | John Adams | E♭ Major | 1 | 5B | 161 BPM |
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