Charles Villiers Stanford, Guy Yehuda, Ralph Votapek's ' "Sonata for Clarinet and Piano, Op. 129: II. Caoine. Adagio (Quasi Fantasia)" was released on its scheduled release date, February 19, 2019. This song is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. The song is number 6 out of 10 in Forgotten Romantics by Guy Yehuda, Ralph Votapek. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Sonata for Clarinet and Piano, Op. 129: II. Caoine. Adagio (Quasi Fantasia) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Sonata for Clarinet and Piano, Op. 129: II. Caoine. Adagio (Quasi Fantasia) by Charles Villiers Stanford, Guy Yehuda, Ralph Votapek is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dieu, qu'il l'a fait bon regarder | Claude Debussy, Norddeutscher Figuralchor, Jörg Straube | A♭ Minor | 0 | 1A | 85 BPM | ||
The Mission Chorales: Chorale 5 | George Martin, Berlin Music Ensemble, Craig Leon | E Minor | 1 | 9A | 116 BPM | ||
Songs of Faith, Op. 97, Set 2 (Arr. for Voice & Orchestra by Jeremy Dibble): II. Tears! tears! tears | Charles Villiers Stanford, Sharon Carty, BBC Concert Orchestra, John Andrews | D Major | 2 | 10B | 164 BPM | ||
Vidi Aquam | The Concordia Choir | A♭ Minor | 0 | 1A | 81 BPM | ||
The lily and the rose (version for mixed chorus and piano) | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 1 | 8A | 77 BPM | ||
Ecce quomodo moritur justus | Jacobus Gallus, Sächsisches Vocalensemble, Matthias Jung | F Major | 0 | 7B | 137 BPM | ||
Requiem: Salvator Mundi | Herbert Howells, Conspirare, Craig Hella Johnson | G Major | 0 | 9B | 126 BPM | ||
Ubi caritas | Ola Gjeilo, Phoenix Chorale, Charles Bruffy | F♯ Minor | 0 | 11A | 78 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: VI. Agnus Dei | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 76 BPM | ||
Requiem in D Minor, K. 626 (Paris 1804 Version): I. Introït | Niccolò Jommelli, Chantal Santon Jeffery, Éléonore Pancrazi, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin | E Minor | 0 | 9A | 88 BPM |