"Songs of Faith, Op. 97, Set 2 (Arr. for Voice & Orchestra by Jeremy Dibble): II. Tears! tears! tears" by Charles Villiers Stanford, Sharon Carty, BBC Concert Orchestra, John Andrews had its release date on June 7, 2024. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 22 in the song's album "Stanford: Orchestral Songs". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. The popularity of Songs of Faith, Op. 97, Set 2 (Arr. for Voice & Orchestra by Jeremy Dibble): II. Tears! tears! tears is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Songs of Faith, Op. 97, Set 2 (Arr. for Voice & Orchestra by Jeremy Dibble): II. Tears! tears! tears by Charles Villiers Stanford, Sharon Carty, BBC Concert Orchestra, John Andrews having a BPM of 164 with a half-time of 82 BPM and a double-time of 328 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Warum ist das Licht gegeben dem Mühseligen? Op. 74 No. 1: II. Lasset uns. Wenig bewegter | Johannes Brahms, Cappella Amsterdam, Daniel Reuss | D♭ Major | 2 | 3B | 176 BPM | ||
Geistliche Chöre, Op. 69: Nr. 3 Abendlied | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | F Major | 0 | 7B | 136 BPM | ||
3 Nocturnes: No. 1. Ballade to the Moon | Daniel Elder, Westminster Choir, John Hudson, Joe Miller | E Major | 0 | 12B | 66 BPM | ||
Songs of the Fleet, Op. 117: I. Sailing at Dawn | Charles Villiers Stanford, Richard Hickox, BBC National Orchestra Of Wales, Gerald Finley, BBC National Chorus of Wales | E♭ Major | 1 | 5B | 71 BPM | ||
Four Vocal Quartets with piano, Op. 92: I. O schöne Nacht! | Johannes Brahms, RIAS Kammerchor, Alain Planès | D♭ Major | 1 | 3B | 106 BPM | ||
Northern Lights | Ola Gjeilo, Phoenix Chorale, Charles Bruffy | D♭ Minor | 0 | 12A | 68 BPM | ||
Cantate Domino canticum novum | Hans Leo Hassler, Voices of Ascension Chorus, Dennis Keene | D Major | 1 | 10B | 128 BPM | ||
Trois chansons de Charles d'Orleans L. 92: I. Dieu! qu'il la fait bon regarder | Claude Debussy, Netherlands Chamber Choir | A♭ Minor | 1 | 1A | 78 BPM | ||
Requiem aeternam II | Herbert Howells, Conspirare, Craig Hella Johnson | D Major | 0 | 10B | 81 BPM | ||
Der Mensch lebt und bestehet nur eine kleine Zeit | Max Reger, Vienna Chamber Choir, Michael Grohotolsky | C Major | 1 | 8B | 97 BPM |