"Geistliche Chöre, Op. 69: Nr. 3 Abendlied" by Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius was released on February 1, 1989. The duration of Geistliche Chöre, Op. 69: Nr. 3 Abendlied is about 3 minutes long, at 3:21. Based on our data, "Geistliche Chöre, Op. 69: Nr. 3 Abendlied" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius's "Josef Gabriel Rheinberger: Cantus Missae. Musica sacra II" album is number 14 out of 14. Based on our statistics, Geistliche Chöre, Op. 69: Nr. 3 Abendlied's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Geistliche Chöre, Op. 69: Nr. 3 Abendlied by Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Missa Sancti Josephi, ZWV 14: No. 12 Agnus Dei I/II | Jan Dismas Zelenka, Daniel Taylor, Tilman Lichdi, Kammerchor Stuttgart, Barockorchester Stuttgart, Frieder Bernius | E♭ Minor | 0 | 2A | 94 BPM | ||
Officium defunctorum: Invitatorium: Antifona: "Circumdederunt me" | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 125 BPM | ||
Evening Service In G Minor (Z.231): Magnificat | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | C Minor | 3 | 5A | 133 BPM | ||
Reincarnations: The Coolin', Op. 16, No. 3 | Samuel Barber, Conspirare, Craig Hella Johnson | F Major | 0 | 7B | 81 BPM | ||
Requiem, Op. 9: Introit (Requiem aeternam) - Kyrie eleison | Maurice Duruflé, Collegium Vocale Seoul | F Major | 2 | 7B | 70 BPM | ||
Missa Sancti Josephi, ZWV 14: No. 2 Gloria in excelsis Deo | Jan Dismas Zelenka, Julia Lezhneva, Daniel Taylor, Tilman Lichdi, Jonathan Sells, Kammerchor Stuttgart, Barockorchester Stuttgart, Frieder Bernius | E♭ Minor | 0 | 2A | 58 BPM | ||
Afferentur regi, WAB 1 | Anton Bruckner, SWR Vokalensemble Stuttgart, Tobias Unger, Florian Metzger, Harald Matjacic, Marcus Creed | F Major | 0 | 7B | 92 BPM | ||
Mass No. 2 in G Major, D. 167: I. Kyrie | Franz Schubert, Barbara Bonney, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener Staatsoper | F Major | 1 | 7B | 116 BPM | ||
Grieg: Fire Salmer: I Himmelen (Op.74-4) Four Psalms : IV. In Heav’n above | Edvard Grieg, Grex Vocalis, Carl Høgset | G Major | 1 | 9B | 129 BPM | ||
Christ Our Paschal Lamb | John Sheppard, Andrew Fletcher, Ex Cathedra, Jeffrey Skidmore | F Major | 1 | 7B | 81 BPM |
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