Komitas, Hovhannes Nersesyan, Latvian Radio Choir, Sigvards Kļava's 'Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): I Will Bless the Lord at All Times' came out on July 10, 2020. With Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): I Will Bless the Lord at All Times being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Komitas, Latvian Radio Choir, Sigvards Kļava's "Komitas: Divine Liturgy" album is number 30 out of 31. On top of that, United States appears to be the country where this track was created. Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): I Will Bless the Lord at All Times is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): I Will Bless the Lord at All Times by Komitas, Hovhannes Nersesyan, Latvian Radio Choir, Sigvards Kļava to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Tic-Toc-Choc | François Couperin, Sarah O'Brien | A Major | 1 | 11B | 87 BPM | ||
Jocelyn, Op. 100: Berceuse (Arr. for Piano 4 Hands) | Benjamin Godard, Zeynep Ucbasaran, Sergio Gallo | F Major | 0 | 7B | 134 BPM | ||
Funeral Ikos | John Tavener, Christian-Pierre La Marca, Alexis Kossenko, Les Ambassadeurs | F Minor | 1 | 4A | 77 BPM | ||
The Peacock (from 3 Hungarian Folksongs from Csík, Sz. 35a/1) - Upright Piano | Béla Bartók, Víkingur Ólafsson | D Minor | 0 | 7A | 77 BPM | ||
Refrain 1 | Stephen Stubbs | A Minor | 0 | 8A | 86 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Nocturne in B Flat Major, H. 37 (Version for Harp) | John Field, Magdalena Hoffmann | B♭ Major | 1 | 6B | 97 BPM | ||
4 Chansons sans paroles, Op. 14: No. 2, Andante cantabile | Alfons Szczerbiński, Giorgio Koukl | D♭ Minor | 2 | 12A | 66 BPM | ||
Improvised Prelude | Paolo Pandolfo | A♭ Minor | 0 | 1A | 76 BPM | ||
Keyboard Suite No. 1 (Set II) in B-Flat Major, HWV 434: IV. Menuet (arr. W. Kempff for piano) | Wilhelm Kempff, George Frideric Handel, Roberto Cominati | G Minor | 0 | 6A | 60 BPM |
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