"The Peacock (from 3 Hungarian Folksongs from Csík, Sz. 35a/1) - Upright Piano" by Béla Bartók, Víkingur Ólafsson was released on October 7, 2022. With The Peacock (from 3 Hungarian Folksongs from Csík, Sz. 35a/1) - Upright Piano being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 44 in From Afar by Víkingur Ólafsson, Béla Bartók, György Kurtág, Johannes Brahms, Johann Sebastian Bach, Robert Schumann, Sigvaldi Kaldalóns, Wolfgang Amadeus Mozart. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The Peacock (from 3 Hungarian Folksongs from Csík, Sz. 35a/1) - Upright Piano is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Peacock (from 3 Hungarian Folksongs from Csík, Sz. 35a/1) - Upright Piano by Béla Bartók, Víkingur Ólafsson is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Orchestra, Sz. 116: 1. Introduzione (Andante non troppo - Allegro vivace | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D♭ Major | 3 | 3B | 95 BPM | ||
Études: No. 18 | Philip Glass, Víkingur Ólafsson | G Minor | 0 | 6A | 87 BPM | ||
Pour le piano, L. 95: 3. Toccata | Claude Debussy, Víkingur Ólafsson | D♭ Major | 3 | 3B | 140 BPM | ||
Clarity | Karen LeFrak, Jacques van Tuinen | A Major | 0 | 11B | 130 BPM | ||
Opus 7 - Silfur Version | Dustin O'Halloran | D♭ Minor | 0 | 12A | 137 BPM | ||
Fauré / Arr. Diluka: 3 Songs, Op. 23: No. 1, "Les berceaux" | Gabriel Fauré, Shani Diluka | B♭ Minor | 0 | 3A | 70 BPM | ||
Après un rêve, Op. 7, No. 1 (Arr. for Cello and Piano) | Gabriel Fauré, Sheku Kanneh-Mason, Isata Kanneh-Mason | G Minor | 0 | 6A | 112 BPM | ||
Sonata No. 55 in A Minor (Arr. Ólafsson) | Domenico Cimarosa, Víkingur Ólafsson | A Minor | 0 | 8A | 80 BPM | ||
Vogel als Prophet, Op. 82, No. 7 - Grand Piano | Robert Schumann, Víkingur Ólafsson | D Minor | 0 | 7A | 77 BPM | ||
Hymn (After a Theme from Zadok the Priest, HWV 258) | George Frideric Handel, Martin Stadtfeld | C Major | 0 | 8B | 171 BPM |
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